Koma is a relatively primitive hill-dwelling ethnic group in northern Adamawa, in the Atlantika Mountains, which shares a border with southern Cameroun. Hill-dwellers are spread through the south and southwest of these mountains, including many on the Cameroun side. There are 21 Koma villages in the Cameroonian side of the Alantika Mountains and 17 villages on the Nigerian side.
The Koma people became recognized as Nigerians in 1961, a year after independence, along with the old provinces of northern Cameroun. Today Koma is part of the seven districts of Jada local government in Adamawa State.
The hill was discovered in 1986 by a corps member.
The Koma have their own language, known as Koma, with an estimated 61,000 speakers. It is a member of the Niger–Congo language group. The Koma people are divided into three main groups: the hill-dwelling Beya and Ndamti, and the Vomni and Verre lowlanders.
They are committed to their traditional culture. The men wear loincloths and women wear fresh leaves. Koma men are much more receptive to wearing of contemporary clothes than the women. Customarily inheritance in Koma is in the maternal lineage. As a mark of acceptance and friendship, a Koma man may share his wife with friends, especially visitors. They have an average population of about 400 people per village, and many engage in rearing of animals.
Koma or KOMA can refer to:
Scred Connexion is a French rap collective launched in the 1990s composed by Fabe, Koma, Haroun, Mokless and Morad, with the assistance of Butch. Fabe decided to quit his rapping career in 2000 and quit the collective after releasing one additional solo album.
"Scred" originates from a track by collective member Koma in his first maxi Époque de fous and is verlan for discret (meaning discreet). The collective released six musical projects with each member keeping his independence and solo projects they worked on concurrently. The collective addressed many issues in French society becoming a militant band for social justice and change distinguishing itself with quality of text and being critical of superficial rappers and favoring more fundamental content, promoting the slogan "Jamais dans la tendance mais toujours dans la bonne direction", after a member of the formation, Fabe, launched it in his piece "Impertinent".