Stinger (cocktail)
A stinger is a Duo cocktail made by adding crème de menthe to a spirit.
The classic recipe is based on brandy and white crème de menthe, shaken and served in a cocktail glass. The origins of this drink are unclear, but it is mentioned in bartender's recipe books as far back as Tom Bullock's The Ideal Bartender, published in 1917.
Variations
Mixing brandy with green crème de menthe, in place of white, yields a Green Hornet.
A "vodka stinger" uses vodka instead of brandy.
The Kremlin Colonel is made with fresh mint instead of crème de menthe, making it similar to a mint julep using vodka in place of bourbon whiskey.
In popular culture
During the heyday of its popularity, the classic stinger was considered an ideal "nightcap" for a night out in New York City. Dudley, the Angel, orders a round of Stingers while lunching with ladies from the church in the 1947 Cary Grant and David Niven film The Bishop's Wife. In the 1956 Bing Crosby and Frank Sinatra film High Society, Gordon Richards, in his role as Dexter-Haven's butler, makes stingers available at luncheon to those unfortunates who over-indulged in champagne in the previous evening's party as the proverbial "hair of the dog". James Bond and Tiffany Case each have a stinger in the 1956 novel Diamonds are Forever. In Ian Fleming's 1961 novel Thunderball (novel), James Bond and his friend Felix Leiter drink Stingers while waiting at the casino in chapter fifteen.
Moero TwinBee: Cinnamon-hakase wo Sukue!
Moero TwinBee: Cinnamon-hakase wo Sukue! (もえろツインビー シナモン博士を救え! Moero Tsuin Bī: Shinamon-hakase wo Sukue!, lit. "Burn TwinBee: To the Rescue of Dr. Cinnamon!") is a vertical/side-scrolling shoot-'em-up game released by Konami for the Family Computer Disk System in Japan in 1986. It was later re-released as a standard Famicom cartridge in 1993. Moero TwinBee was the second game in the TwinBee series, as well as the first of two TwinBee sequels released for the Famicom, followed by TwinBee 3: Poko Poko Daimaō in 1989.
A North American version for the Nintendo Entertainment System was released in 1987 titled Stinger, making it one of the few games in the series to have an overseas release.
Gameplay
Moero TwinBee can be played by up to three player simultaneously: the first two players control TwinBee and WinBee (the ships from the previous game) using the standard Famicom controllers, whereas the third player controls GwinBee (a green ship) by connecting an additional controller into the console's expansion port. Unlike the original TwinBee, which only featured vertical-scrolling stages, Stinger adds side-scrolling stages to the mix as well. There are seven stages in the game. Stage 1, 3, and 7 are side-scrolling stages, while the rest are vertical-scrolling stages. The controls remain the same between the two styles of gameplay, with the only difference being that in the side-scrolling segments, the A button shoots hearts over the ship instead of dropping bombs into the ground like the vertical-scrolling segments, which helps the player keep the power-up bells afloat in the side-scrolling stages.
Boom
Boom may refer to:
Objects
Other common meanings
Arts and entertainment
Music
Performers
Boom! (TV series)
Boom! is an American reality television series that aired on Spike TV in 2005 and was hosted by Kourtney Klein. It featured a group of demolition experts using explosives to destroy objects such as trailers, houses, boats and cars. Often, the suggestions on what should be blown up were sent in by home viewers via a "BOOM! Mailbag". Each episode covered obtaining the materials (such as the item to be destroyed), cleaning, gutting, and rigging the thing with explosives, and then making the final countdown and pushing the detonator, and watching the devastation.
References
External links
Boom! (film)
Boom! is a 1968 British drama film starring Elizabeth Taylor, Richard Burton and Noël Coward, directed by Joseph Losey, and adapted from the play The Milk Train Doesn't Stop Here Anymore by Tennessee Williams.
Plot
Flora 'Sissy' Goforth (Taylor, in a part written for an older woman) is a terminally ill woman living with a coterie of servants in a large mansion on a secluded island. Into her life comes a mysterious man, Christopher Flanders, nicknamed "Angelo Del Morte" (played by then-husband Burton, in a part intended for a very young man). The mysterious man may or may not be "The Angel of Death".
The interaction between Goforth and Flanders forms the backbone of the plot, with both of the major characters voicing lines of dialogue that carry allegorical and Symbolist significance. Secondary characters chime in, such as "the Witch of Capri" (Coward). The movie mingles respect and contempt for human beings who, like Goforth, continue to deny their own death even as it draws closer and closer. It examines how these characters can enlist and redirect their fading erotic drive into the reinforcement of this denial.
