In music, a radio edit is a modification to make a song more suitable for airplay, whether it be adjusted for length, profanity, subject matter, instrumentation, or form. Radio edits may also be used for commercial single versions, which may be denoted as the 7" version.

Contents

Editing for time [link]

Radio edits often shorten a lengthen a song to make it more commercially viable for radio stations. The normal length for songs played on the radio is 3 to 4 minutes. Occasionally, the song will simply fade out earlier, common on tracks with long instrumental endings. For instance, the radio edit of 'Heroes' by David Bowie fades in shortly before the beginning of the third verse and fades out shortly before the vocal vamping at the end of the song. However, many radio edits will also edit out verses, bridges, and interludes, such as the original single edit of "Piano Man" by Billy Joel which substitutes the end of the third verse for the ending of the second verse.

Some songs will be remixed heavily and feature different arrangements than the original longer versions, occasionally even being completely different recordings. A popular example of this would be "Revolution" by The Beatles which is a completely different recording than the version which appears on The White Album. This also became more prevalent with the rise of the 12" record, as artists like New Order started making songs specifically for the format. Many of the 7" mixes aimed for pop radio airplay of their songs feature very different arrangements, such as "Bizarre Love Triangle", or even a completely different recording, such as "Temptation".

Occasionally, very long songs do not have a radio edit, despite being as long as six or seven minutes in length. Famous examples of these include "Vicarious" (2006) by Tool at 7 minutes and 6 seconds, "Hey Jude" (1968) by The Beatles at 7 minutes and 11 seconds long, "Stairway to Heaven" (1971) by Led Zeppelin at 8 minutes and 3 seconds, "The Message" (1982) by Grandmaster Flash and the Furious Five at 7 minutes and 10 seconds, "One" (1989) by Metallica at 7 minutes and 24 seconds, and "American Pie" by Don McLean with a length of 8 minutes and 32 seconds. Ying Yang Twins' "Georgia Dome" has a radio edit removing profanity, but at the same length (6 minutes 6 seconds) as the album version. Occasionally, due to popular demand, the longer version of a song will be played over the shorter version, such as "Like a Rolling Stone" by Bob Dylan, which was released on a 7" single featuring the first two verses on side 1 and the rest of the song on side 2. Due to the popularity of the song, radio stations started playing the full version to meet their listeners' demand.

On rare occasions, a radio edit might be longer than the original album version. This may occur when the song is edited for form, such as "Miserable" by Lit, in which the radio edit adds the chorus between the first and second verse.

Editing for content [link]

Radio edits often come with any necessary censorship done to conform to decency standards imposed by government agencies, such as the Federal Communications Commission in the United States, the Canadian Radio-television and Telecommunications Commission in Canada, and Ofcom in the United Kingdom. The offending words may be silenced, reversed, or replaced/distorted by a sound effect. Occasionally, the song may be re-recorded with different lyrics, ranging from just the replacement of one line being re-recorded, like James Blunt's "You're Beautiful," which replaces "fucking high" with "flying high" in the second verse, to the entire song be completely changed, such as D12's "Purple Hills", which replaces profanity, drug references, and other inappropriate lyrics from the original "Purple Pills". Another example of the first type (one-line replacement) is The Black Eyed Peas song "Let's Get It Started", whose original title was "Let's Get Retarded" but was changed to make it suitable for radio play. Sean Kingston's "Beautiful Girls", in some radio edits, changed "You got me suicidal" to "in denial". The whole chorus of Cee Lo Green's "Fuck You" substituted the word "Fuck" with "Forget", thus changing the title to "Forget You" on the radio edit. Radio edits may have more words edited than the "clean version", because of the stations' or agencies' standards. An "amended" radio edit which only removes the major profanities while keeping the small profanities can be produced for some stations that allow small profanities (e.g. "You're Going Down" by Sick Puppies and "Bad Girlfriend" by Theory of a Deadman) whereas a "dirty" radio edit preserving the offensive language but maintaining the shorter play time may be produced, which may be aimed at club play, post-watershed radio, and non-terrestrial radio stations. Kid Rock wrote the term "radio edit" into two of his songs, both of which are the same on radio and album versions.

Other terms [link]

Other terms for a "radio edit"

  • "Album edit" (Sometimes a different version from the 'radio edit')
  • "LP edit"
  • "Radio mix"
  • "Radio version"
  • "Single version" or "soundtrack version" (Typically used to reference singles taken from soundtracks, or lead singles from an album)
  • Single edit (Shortened version of a single version typically)
  • "Main version" (Can also be the album version but typical is the radio formatted version)
  • "Main edit" (If the "main version" is the album version, "main edit" is typically the radio edit)

On occasions when songs have been completely re-worked or the instrumental arrangements have been changed slightly, the radio edit can be labeled in print with the remixer's name (e.g. Celine Dion's 2002 single of "I'm Alive", the radio version was referred to as the 'Humberto Gatica Radio Mix') rather than just "Radio Edit".

See also [link]

References [link]

External links [link]


https://wn.com/Radio_edit

Edit (album)

Edit is the sixth album by vocalist Mark Stewart, released on March 28, 2008 through Crippled Dick Hot Wax!.

Accolades

Track listing

Personnel

  • Jazzwad instruments
  • The Maffia
  • Keith LeBlanc drums
  • Skip McDonald guitar
  • Adrian Sherwood keyboards, production, mixing, recording
  • Doug Wimbish bass guitar
  • Kevin Martin – instruments, production
  • Simon Mundey – instruments
  • Nick Riggio – instruments
  • Mark Stewart vocals, production, mixing, recording
  • Sanjay Tailor – instruments
  • Crucial Tony – instruments
  • Eric D. Clark engineering
  • Nick Coplowe production
  • Cem Oral mastering, engineering
  • Philipp Quehenberger – production
  • Peter Rehberg – engineering
  • References

    External links

  • Edit at Discogs (list of releases)
  • Edit (Regina Spektor song)

    "Edit" is an Anti-folk/Indie rock song from Anti-folk singer Regina Spektor, released in the summer of 2006 on the album Begin to Hope. The line "You don't have no Doctor Robert/You don't have no Uncle Albert" references the Beatles' song "Doctor Robert" as well as Paul and Linda McCartney's 1979 hit "Uncle Albert". "Edit" was covered by British anti-folk band The Red Army.


    Low (Flo Rida song)

    "Low" is the debut single by American rapper Flo Rida, featured on his debut studio album Mail on Sunday and also featured on the soundtrack to the 2008 film Step Up 2: The Streets. The song features fellow American rapper T-Pain and was co-written with T-Pain. There is also a remix in which the hook is sung by Flo Rida rather than T-Pain. An official remix was made which features Pitbull and T-Pain. With its catchy, up-tempo and club-oriented Southern hip hop rhythms, the song peaked at the summit of the U.S. Billboard Hot 100.

    The song was a massive success worldwide and was the longest running number-one single of 2008 in the United States. With over 6 million digital downloads, it has been certified 7× Platinum by the RIAA, and was the most downloaded single of the 2000s decade, measured by paid digital downloads. The song was named 3rd on the Billboard Hot 100 Songs of the Decade. "Low" spent ten consecutive weeks on top of the Billboard Hot 100, the longest-running number-one single of 2008.

    Radio (Darius Rucker song)

    "Radio" is a song co-written and recorded by American country music artist Darius Rucker. It was released on July 22, 2013 as the third single from his album True Believers. Rucker wrote the song with Luke Laird and Ashley Gorley.

    Content

    The song is a reflection on the narrator's teenage years: specifically, of borrowing his mother's car to take his girlfriend for a ride, and listening to songs on the radio while doing so.

    Critical reception

    The song generally received favorable reviews. Bobby Peacock of Roughstock gave the song four and a half stars out of five, saying that "it sounds like the kind of fun song you would want to hear on the radio at a memorable moment." Peacock praised Rucker's "all-smiles delivery" and the song's "incredibly catchy melody and tight production." He also compared its theme to "I Watched It All (On My Radio)" by Lionel Cartwright. Tammy Ragusa of Country Weekly gave the song an A grade, calling it "the perfect marriage of an artist’s effervescent personality with an upbeat song, this one about the love of music." Billy Dukes of Taste of Country gave the song two and a half stars out of five, writing that "the uptempo tribute to young love, open roads and, of course, the radio is familiar and easy to fall for, especially when powered by Rucker’s unequaled exuberance." However, Dukes also called the song "a little fluffy" and "not difficult to forget."

    X-Dream

    X-Dream are Marcus Christopher Maichel (born May 1968) and Jan Müller (born February 1970); they are also known as Rough and Rush. They are some of the cult hit producers of psychedelic trance music and hail from Hamburg, Germany.

    The latest X-Dream album, We Interface, includes vocals from American singer Ariel Electron.

    First work

    Muller was educated as a sound engineer. Maichel was a musician familiar with techno and reggae, and was already making electronic music in 1986. In 1989 the pair first met when Marcus was having problems with his PC and someone sent Jan to help fix it. That same year they teamed up to work on a session together. Their first work concentrated on a sound similar to techno with some hip hop elements which got some material released on Tunnel Records.

    Trance

    During the early 1990s they were first introduced to the trance scene in Hamburg and decided to switch their music to this genre. From 1993 they began releasing several singles on the Hamburg label Tunnel Records, as X-Dream and under many aliases, such as The Pollinator. Two albums followed on Tunnel Records, Trip To Trancesylvania and We Created Our Own Happiness, which were much closer to the original formula of psychedelic trance, although featuring the unmistakable "trippy" early X-Dream sound.

    Podcasts:

    PLAYLIST TIME:

    Radio Edit

    by: Justin Timberlake

    Hey girl, is he everything you wanted in a man
    You know I gave you the world
    You had me in the palm of your hand
    So why your love went away
    I just can't seem to understand
    Thought it was me and you babe
    Me and you until the end
    But I guess I was wrong
    Don't want to think about her
    Don't want to talk about her
    I'm just so sick about her
    Can't believe it's ending this way
    Just so confused about her
    Feeling the blues about her
    I just can't do without ya
    Tell me is this fair?
    Is this the way it's really going down?
    Is this how we say goodbye?
    Should've known better when you came around
    That you were gonna make me cry
    It's breaking my heart to watch you run around
    'Cause I know that you're living a lie
    That's okay baby 'cause in time you will find...
    What goes around, goes around, goes around
    Comes all the way back around
    What goes around, goes around, goes around
    Comes all the way back around
    What goes around, goes around, goes around
    Comes all the way back around
    What goes around, goes around, goes around
    Comes all the way back around
    Now girl, I remember everything that you claimed
    You said that you were moving on now
    And maybe I should do the same
    Funny thing about that is
    I was ready to give you my name
    Thought it was me and you, babe
    And now, it's all just a shame
    And I guess I was wrong
    Don't want to think about her
    Don't want to talk about her
    I'm just so sick about her
    Can't believe it's ending this way
    Just so confused about her
    Feeling the blues about her
    I just can't do without ya
    Can you tell me is this fair?
    Is this the way its really going down?
    Is this how we say goodbye?
    Should've known better when you came around (should've known better that you were gonna make me cry)
    That you were going to make me cry
    Now it's breaking my heart to watch you run around
    'Cause I know that you're living a lie
    That's okay baby 'cause in time you will find
    What goes around, goes around, goes around
    Comes all the way back around
    What goes around, goes around, goes around
    Comes all the way back around
    What goes around, goes around, goes around
    Comes all the way back around
    What goes around, goes around, goes around
    Comes all the way back around
    What goes around comes around
    Yeah
    What goes around comes around
    You should know that
    What goes around comes around
    Yeah
    What goes around comes around
    You should know that
    Don't want to think about it (no)
    Don't want to talk about it
    I'm just so sick about it
    Can't believe it's ending this way
    Just so confused about it
    Feeling the blues about it (yeah)
    I just can't do without ya
    Tell me is this fair?
    Is this the way things are going down?
    Is this how we say goodbye?
    Should've known better when you came around (should've known better that you were gonna make me cry)
    That you were going to make me cry
    Now it's breaking my heart to watch you run around
    'Cause I know that you're living a lie
    But that's okay baby 'cause in time you will find
    What goes around, goes around, goes around
    Comes all the way back around
    What goes around, goes around, goes around
    Comes all the way back around
    What goes around, goes around, goes around
    Comes all the way back around
    What goes around, goes around, goes around
    Comes all the way back around
    [Comes Around interlude:]
    Let me paint this picture for you, baby
    You spend your nights alone
    And he never comes home
    And every time you call him
    All you get's a busy tone
    I heard you found out
    That he's doing to you
    What you did to me
    Ain't that the way it goes
    When You cheated girl
    My heart bleeded girl
    So it goes without saying that you left me feeling hurt
    Just a classic case
    A scenario
    Tale as old as time
    Girl you got what you deserved
    And now you want somebody
    To cure the lonely nights
    You wish you had somebody
    That could come and make it right
    But girl I ain't somebody with a lot of sympathy
    You'll see
    (What goes around comes back around)
    I thought I told ya, hey
    (What goes around comes back around)
    I thought I told ya, hey
    (What goes around comes back around)
    I thought I told ya, hey
    (What goes around comes back around)
    I thought I told ya, hey
    See?
    You should've listened to me, baby
    Yeah, yeah, yeah, yeah
    Because
    (What goes around comes back around)




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