Retro style
Retro style is style that is consciously derivative or imitative of trends, music, modes, fashions, or attitudes of the recent past, typically 15–50 years old.
Definition
The term rétro has been in use since the 1970s to describe on the one hand new artifacts that self-consciously refer to particular modes, motifs, techniques, and materials of the past. But on the other hand, some people (incorrectly) use the term to categorise styles that have been created in the past. Retro style refers to new things that display characteristics of the past. It is mostly the recent past that retro seeks to recapitulate, focusing on the products, fashions and artistic styles produced since the Industrial Revolution, of Modernity. The word "retro" derives from the Latin prefix retro, meaning backwards, or in past times.
In France, the word rétro, an abbreviation for rétrospectif gained cultural currency with reevaluations of Charles de Gaulle and France’s role in World War II. The French mode rétro of the 1970s reappraised in film and novels the conduct of French civilians during the Nazi occupation. The term rétro was soon applied to nostalgic French fashions that recalled the same period.
Retro (EP)
Retro was the only EP (7") by Ultravox, then Ultravox!, released on 10 February 1978. It was the last recording released by the band as Ultravox!. Also this was the last disc featuring original guitarist Stevie Shears, who left the band after its release.
The EP featured four live tracks recorded in 1977 or early 1978, while Ultravox! were promoting one of their first two albums, Ultravox! and Ha! Ha! Ha!, both released in 1977.
In 2006, Island Records re-released the tracks, adding them to remastered versions of Ultravox!'s albums. The tracks from side two of the EP were included on the reissue of Ultravox! and the side one tracks on the reissue of Ha! Ha! Ha!.
Track listing
All tracks written by Ultravox!
A-Side
B-Side
Personnel
KMFDM
KMFDM (from Kein Mitleid Für Die Mehrheit [sic], translated by the band as "no pity for the majority" [sic]) is an industrial band led by German multi-instrumentalist Sascha Konietzko, who founded the group in 1984 as a performance art project. KMFDM has released nineteen studio albums and two dozen singles, with sales of more than two million records worldwide.
The band has undergone many line-up changes and featured dozens of guest musicians. Its earliest incarnation included German drummer En Esch and British vocalist Raymond Watts, the latter of whom left and rejoined the group several times over its history. German guitarist Günter Schulz joined in 1990; both he and Esch continued with the band until KMFDM broke up in 1999. Konietzko resurrected KMFDM in 2002 (Esch and Schulz declined to rejoin), and by 2005 he had assembled a consistent line-up that included American singer Lucia Cifarelli, British guitarists Jules Hodgson and Steve White, and British drummer Andy Selway.
Critics consider KMFDM to be one of the first bands to bring industrial music to mainstream audiences, though Konietzko refers to the band's music as "The Ultra-Heavy Beat". The band incorporates heavy metal guitar riffs, electronic music, samples, and both male and female vocals in its music, which encompasses a variety of styles. KMFDM normally tours at least once after every major release, and band members are known for their accessibility to and interaction with fans, both online and at concerts. Members, singly or working with each other and others, have recorded under many other names, primarily Watts' Pig in 1988, Konietzko's Excessive Force in 1991, and Esch and Schulz's Slick Idiot in 2001.
Podcasts:
