Set (music)

A set (pitch set, pitch-class set, set class, set form, set genus, pitch collection) in music theory, as in mathematics and general parlance, is a collection of objects. In musical contexts the term is traditionally applied most often to collections of pitches or pitch-classes, but theorists have extended its use to other types of musical entities, so that one may speak of sets of durations or timbres, for example.

A set by itself does not necessarily possess any additional structure, such as an ordering. Nevertheless, it is often musically important to consider sets that are equipped with an order relation (called segments); in such contexts, bare sets are often referred to as "unordered", for the sake of emphasis.

Two-element sets are called dyads, three-element sets trichords (occasionally "triads", though this is easily confused with the traditional meaning of the word triad). Sets of higher cardinalities are called tetrachords (or tetrads), pentachords (or pentads), hexachords (or hexads), heptachords (heptads or, sometimes, mixing Latin and Greek roots, "septachords"—e.g.,), octachords (octads), nonachords (nonads), decachords (decads), undecachords, and, finally, the dodecachord.

Set (darts)

A set in darts consists of a sequence of legs (games) played, ending when the count of legs won meets certain criteria. Throwing first is considered an advantage in a leg, so players alternate who throws first in each leg during the set.

Generally, a set will consist of the best of five legs (first player to win three) - although there are some exceptions. The most notable being the Winmau World Masters, where a set is the best of three legs (first to two).

Example

During the final of the 2007 PDC World Darts Championship, Raymond van Barneveld defeated Phil Taylor by seven sets to six in one of the most dramatic darts matches of all-time. The breakdown of how each set went is shown here.

Taylor won the first two sets by three legs to nil, then added the third set before van Barneveld took the next two. The match continued and went to six sets all. Neither player managed to gain a two-leg advantage in the final set "tiebreak" so the deciding leg was played when the score reached 5-5. Before the final leg, the players threw for the bullseye with the nearest given the advantage of throwing first.

Set construction

Set construction is the process by which a construction manager undertakes to build full scale scenery suitable for viewing by camera, as specified by a production designer or art director working in collaboration with the director of a production to create a set for a theatrical, film or television production. The set designer produces a scale model, scale drawings, paint elevations (a scale painting supplied to the scenic painter of each element that requires painting), and research about props, textures, and so on. Scale drawings typically include a groundplan, elevation, and section of the complete set, as well as more detailed drawings of individual scenic elements which, in theatrical productions, may be static, flown, or built onto scenery wagons. Models and paint elevations are frequently hand-produced, though in recent years, many Production Designers and most commercial theatres have begun producing scale drawings with the aid of computer drafting programs such as AutoCAD or Vectorworks.

KMC

Kmc and KMC may refer to:

KMC (musician)

Ken Marlon Charles a.k.a. KMC (born January 5, 1971) is a soca artist from Trinidad. Famous for hits like "Soul on Fire", "Soca Bashment" and "Bashment to Carnival" KMC is signed to the US-based record label Sequence Records. Considered to be one of Trinidad's top soca artists, KMC has over sixteen years experience in the music industry. He has made a name for himself as a solo artist, songwriter, producer and frontman of the band Red, White & Black.

Early years

KMC is one of nine children. He was born and raised in the village of Rio Claro and then moved to Chaguanas, where he has resided for the past eleven years. The road to success for KMC has been filled with both high and low moments. Probably the lowest was the day when, strapped with hunger, he resorted to cracking open a dry coconut in the yard of his one-room home in Laventille, putting a milk pan on a kerosene burner and flavoring the coconut with only a little end of curry powder.

Career

KMC always had a passion for music. As a young child he used to sneak about and listen to the bands in his village. "At the age of seven, I used to go under the house by the band and when they weren't around I would play the drum set." As time marched on, the same energy and precociousness that brought the young KMC to the drum set also brought him to teach himself how to play music. "Music is something I was never taught. I was never taught to play the keyboard. I learned to do everything on my own. Love is what made me master it. Everything I do is by ear and not by reading," he proclaims.