Kāma (Sanskrit, Pali; Devanagari: काम) means desire, wish, longing in Indian literature. Kāma often connotes sexual desire and longing in contemporary literature, but the concept more broadly refers to any desire, wish, passion, longing, pleasure of the senses, the aesthetic enjoyment of life, affection, or love, with or without sexual connotations.
Kāma is one of the four goals of human life in Hindu traditions. It is considered an essential and healthy goal of human life when pursued without sacrificing the other three goals: Dharma (virtuous, proper, moral life), Artha (material prosperity, income security, means of life) and Moksha (liberation, release, self-actualization). Together, these four aims of life are called Puruṣārtha.
Kāma means “desire, wish or longing”. In contemporary literature, kāma refers usually to sexual desire. However, the term also refers to any sensory enjoyment, emotional attraction and aesthetic pleasure such as from arts, dance, music, painting, sculpture and nature.
Kama (釜) is a Japanese term meaning metal pot or kettle. The specific term for a kama used in Japanese tea ceremony is chagama (茶釜, "tea kettle"). Kama are made of cast iron, and are used to heat the water used to make tea.
In the tea room, the kama is either heated over a portable brazier (風炉 furo) or in a sunken hearth (ro) built into the floor of the tea room, depending on the season.
Kama are often round or cylindrical, and have a lug on each side, for inserting metal handles called kan. These are used to carry the kama and/or hang it over the ro. Otherwise, or when using a brazier, a tripod may be used to support the kettle over the heat source. There are also brazier sets in which the kama is designed to be used without a tripod. Kama (釜) is a Japanese term meaning metal pot or kettle. The specific term for a kama used in Japanese tea ceremony is chagama (茶釜, "tea kettle"). Kama are made of cast iron or copper and are used to heat the water used to make tea.
Charles Wright (born May 16, 1961) is an American semi-retired professional wrestler. He is best known for his tenure with the World Wrestling Federation throughout the 1990s and early 2000s, where he performed under the ring names Sir Charles, Papa Shango, Kama, Kama Mustafa, The Godfather, and The Goodfather.
Wright first entered professional wrestling after being noticed tending to a bar by wrestlers during the filming of the movie Over the Top. The wrestlers involved gave him the advice that, with his large body type and unique (tattooed) look, he should try seeking out Larry Sharpe and his Monster Factory to get into the business.
Eventually Wright parlayed his training into a job with Jerry Lawler in the United States Wrestling Association (USWA) with the gimmick the wrestlers from the bar had given him and took the name The Soultaker, taken from one of the tattoos on his arm. Even with his admitted limited skill set, he was given the USWA Unified World Heavyweight Championship on October 23, 1989 and held it for about two weeks.
Hey Ganga Maiya Hey Ganga Maiya
Tu Jaana Hame Nahi Re
Hey Ganga Maiya
Hey Ganga Maiya Hey Ganga Maiya
Tu Jaana Hame Nahi Re
Hey Ganga Maiya
Saari Dharti Saara Ambar
Saari Dharti Saara Ambar Gangaji Ke Naam
Saari Dharti Saara Ambar
Saari Dharti Saara Ambar Gangaji Ke Naam
Dil Mein Mere Mere Ram Sabko Mera Salaam
Dil Mein Mere Mere Ram Sabko Mera Salaam
Chaand Meri Raaton Ka Sapna Suraj Din Ka Yaar
Mera Safar Ya Mera Irada Har Seema Ke Paar
Chaand Meri Raaton Ka Sapna Suraj Din Ka Yaar
Mera Safar Ya Mera Irada Har Seema Ke Paar
Ek Hi Roop Ke Naam Kayi Ek Hi Roop Ke Naam Kayi
Ram Kaho Ya Shyam
Dil Mein Mere Mere Ram Sabko Mera Salaam
Dil Mein Mere Mere Ram Sabko Mera Salaam
Aage Mere Sapno Ka Mela Peeche Mere Bahaar
Hare Bhare Pedo Ke Neeche Har Mausam Malhaar
Aage Mere Sapno Ka Mela Peeche Mere Bahaar
Hare Bhare Pedo Ke Neeche Har Mausam Malhaar
Mere Hi Sapno Ki Pooja Mere Hi Sapno Ki Pooja
Mere Subaho Shaam
Dil Mein Mere Mere Ram Sabko Mera Salaam
Dil Mein Mere Mere Ram Sabko Mera Salaam
Door Bhale Ho Manzil Mere Paas Hai Lekin Khwaab
Door Bhale Ho Manzil Mere Paas Hai Lekin Khwaab
Aane Waale Kal Ki Lagan Mein Har Pal Hai Betaab
Rasta Chaahe Jaisa Ho Rasta Chaahe Jaisa Ho
Chalna Mera Kaam
Dil Mein Mere Mere Ram Sabko Mera Saalam
Dil Mein Mere Mere Ram Sabko Mera Saalam
Saari Dharti Saara Ambar
Saari Dharti Saara Ambar Gangaji Ke Naam
Dil Mein Mere Mere Ram Sabko Mera Salaam
Dil Mein Mere Mere Ram Sabko Mera Salaam
Dil Mein Mere Mere Ram Sabko Mera Salaam
Dil Mein Mere Mere Ram Sabko Mera Salaam
Bas Itna Sa Khwaab Hai
Bas Itna Sa Khwaab Hai
Bas Itna Sa Khwaab Hai