King Biscuit Time is the longest-running daily American radio broadcast in history. The program is broadcast each weekday from KFFA in Helena, Arkansas, and has won the George Foster Peabody Award for broadcasting excellence.
The first broadcast of King Biscuit Time was on November 21, 1941 on KFFA in Helena, and featured the African-American blues artists Sonny Boy Williamson II (Rice Miller) and Robert Lockwood, Jr. Williamson and Lockwood played live in the studio and were the key musicians in the original studio band, the King Biscuit Entertainers. Other musicians who joined the original band were Pinetop Perkins on piano and James Peck Curtis on drums. Williamson left the program in 1947 but returned for a stint in 1965 just prior to his death.
The 30-minute long live radio program is broadcast at 12:15 pm every weekday and was named after the local brand of flour, King Biscuit Flour, distributed by the Interstate Grocer Company. The distributor financed the show at the behest of Williamson in exchange for endorsements and naming rights. KFFA was the only station that would play music by African-Americans, and it reached an audience throughout the Mississippi Delta region and inspired a host of important blues musicians including B.B. King, Robert Nighthawk, James Cotton, and Ike Turner. The show's 12:15 pm time slot was chosen to match the lunch break of African-American workers in the Delta.
Steve Mason is a Scottish musician, best known as the lead singer and one of the founding members of The Beta Band. He has also been a member of Black Affair with Jimmy Edgar.
Mason started his music career as the lead singer and one of the founding members of The Beta Band. According to Q magazine, after leaving the band Mason was so deep in debt at one point that he was forced to take a second job on a building site. The singer was also crippled by a depression that only recently lifted.
Mason released solo material as King Biscuit Time, including two EPs on Regal Records and one album on No Style Records, an imprint of Alan McGee's Poptones record label. Mason has also worked under the name Black Affair, and has released one album under this pseudonym on V2 Records.
On 19 April 2009, The Sunday Times reported that Mason was working on a new album with the record producer, Richard X. This album, Boys Outside, was released in March 2010 and is the first album under Mason's own name. The first single, "All Come Down", was released as a download at the end of November 2009. Q gave the album a 4/5 rating. According to Rob Fearn, the album "relocates Mason in a grand tradition of indie boys doing idiosyncratic electronic pop, a line stretching back through Hot Chip, New Order, Talk Talk and Brian Eno". Fearn argued that the album, "totally different from what he did in King Biscuit Time and Black Affair", might be seen as a "welcome return to a stripped-down songcraft". It is "...not just a work that can finally measure up to [Beta Band's] The Three EPs, but is a sign of a "bold new start", according to the critic.
King Biscuit may refer to:
You've talking about your woman, I wish to God, man, that you could see mine
You're talking about your woman, I wish to God that you could see mine
Every time the little girl start to loving, she bring eyesight to the blind
Lord, her daddy must been a millionaire, 'cause I can tell by the way she walk
Her daddy must been a millionaire, because I can tell by the way she walk
Every time she start to loving, the deaf and dumb begin to talk
I remember one Friday morning, we was lying down across the bed
Man in the next room a-dying, stopped dying and lift up his head, and said,
"Lord, ain't she pretty, and the whole state know she fine!"
Every time she start to loving, she bring eyesight to the blind
(Spoken: All right and all right, now. Lay it on me, lay it on me, lay it on me
Oh lordy, what a woman, what a woman!)
Yes, I declare she's pretty and the whole state knows she's fine
Man, I declare she's pretty, God knows I declare she's fine
Every time she starts to loving, whoo, she brings eyesight to the blind
(I've got to get out of here, now, let's go, let's go, let's go now)