Chrono Cross (Japanese: クロノ・クロス, Hepburn: Kurono Kurosu) is a role-playing video game developed and published by Square (now Square Enix) for the PlayStation video game console. It is the successor to Chrono Trigger, which was released in 1995 for the Super Nintendo Entertainment System. While its predecessor, like most role-playing games at the time, only offered a handful of playable characters, Chrono Cross was notable for making 45 different characters available for recruitment over the course of the game, each with distinct backstory and speech patterns. Reception for the game from critics was very positive, with some journalists, such as GameSpot, even giving the game a perfect score. However, reception for the cast of characters was more mixed; some critics were impressed by the quantity, variety, and individuality offered by the characters, where others complained of an emphasis of "quantity over quality".
A cross is a geometrical figure consisting of two lines or bars perpendicular to each other, dividing one or two of the lines in half. The lines usually run vertically and horizontally; if they run obliquely, the design is technically termed a saltire, although the arms of a saltire need not meet at right angles.
The cross is one of the most ancient human symbols, and has been used by many religions, most notably Christianity. It may be seen as a division of the world into four elements (Chevalier, 1997) or cardinal points, or alternately as the union of the concepts of divinity, the vertical line, and the world, the horizontal line (Koch, 1955).
The word cross comes ultimately from Latin crux, a Roman torture device used for crucifixion, via Old Irish cros. The word was introduced to English in the 10th century as the term for the instrument of the torturous execution of Jesus as described in the New Testament, gradually replacing the earlier word rood. Crux is possibly derived from Phoenician. According to the Catholic Encyclopedia cross does not come from crux but form the Latin curio, "to torment".
Cross is a French crime film written and directed by Philippe Setbon.
The divorced cop Eli Cantor once brought a man called Simon Leenhardt behind bars. Leenhardt has sworn revenge to Cantor. He escapes from an insane asylum for criminals and breaks into the house where Cantor's family lives. With a team of psychopaths he takes everybody in the house as hostage. Eli feels he can't risk to ask for official help. He plans to tackle the situation discretly. Unfortunately his best friend in the police force refuses to help him. So Eli looks out for another potential partner. He comes across the adventurer Thomas Crosky who engages in illegal fights just for kicks. Together they sneak into the house. Meanwhile Leenhardt tries to make friends with Cantor's family but his manic accomplices get more and more out of control.
Cross is the fifth live praise and worship album from City Harvest Church in Singapore.
The album was recorded in the church's premises located at Jurong West St 91. There was more than 2000 members in the main auditorium present for the live recording, which took place over two days.
Executive Producer Ho Yeow Sun was the main worship leader for the project, along with Mark Kwan, Alison Yap and Calvin Ho leading some songs.
The album consists of two discs, with 15 live-recorded songs, and 3 bonus studio-recorded songs.
Disc 1:
Disc 2:
The Domain Name System of the Internet consists of a set of top-level domains which constitute the root domain of the hierarchical name space and database. In the growth of the Internet, it became desirable to expand the set of initially six generic top-level domains in 1984. As a result new top-level domain names have been proposed for implementation by ICANN. Such proposals included a variety of models ranging from adoption of policies for unrestricted gTLDs that could be registered by anyone for any purpose, to chartered gTLDs for specialized uses by specialized organizations. In October 2000, ICANN published a list of proposals for top-level domain strings it had received.
Many of the characters listed here have names reflecting certain aspects of them, such as their status, personality or role.
Apoc (played by Julian Arahanga) is a crew member of the Nebuchadnezzar in The Matrix.
Apoc drives Neo to his meeting with Morpheus, and assists Tank in locating Neo inside the Power Plant. He and Switch are portrayed as front-line soldiers while inside the Matrix, acting as "point" and "rear guard" in their escape from the Agents and police and laying down covering fire as they make their way into the sewers. Cypher murders Apoc by pulling his jack out of his head while Apoc is connected to the Matrix. In The Matrix Reloaded, Arahanga can be seen in one of the first establishing shots of Zion, as a machine operator who flashes quickly by the camera.
Captain Ballard (played by Roy Jones Jr.), was the captain of the Zion hovercraft Caduceus in the film The Matrix Reloaded and the video game Enter the Matrix. During the Captain's meeting in Reloaded, Ballard volunteers to stay behind during the massive recall of all hovercrafts to Zion in order to await a message from The Oracle. As Ballard stayed behind, he was eventually contacted and challenged to a fight by Seraph. Shortly after the fight, Ballard met with the Oracle to retrieve her message. The crew of the Caduceus eventually made it back to Zion and gave the message to Neo.
Kid606 (born July 27, 1979, Caracas, Venezuela) is the stage name of Miguel Trost De Pedro, an electronic musician who was raised in San Diego and later moved to San Francisco. He is most closely associated with the glitch, IDM, hardcore techno, and breakcore scenes.
Kid606's music is similar to the work of his friend and colleague Lesser, as well as hardcore and IDM acts such as Atari Teenage Riot, Autechre, Mr. Oizo, and Matmos. He is primarily inspired not by his electronic contemporaries, but by his love of the industrial music, death metal, and industrial metal of the 1980s and 90s, particularly bands like Godflesh and Napalm Death. His music is known for its high tempo breakbeats and liberal use of noise and sampling, as well as its punk aesthetic, uninhibited genre-mixing, and irreverent sense of humor. However, he is equally adept at creating more serious tracks that often reside in the realm of ambient and glitch ("Parenthood" from Kill Sound Before Sound Kills You and the entirety of P.S. I Love You being good examples).