The ankh ( /ˈæŋk/ or /ˈɑːŋk/; U+2625 ☥ or U+132F9 𓋹), also known as key of life, the key of the Nile or crux ansata (Latin meaning "cross with a handle"), was the ancient Egyptian hieroglyphic character that read "eternal life", a triliteral sign for the consonants ꜥ-n-ḫ. Egyptian gods are often portrayed carrying it by its loop, or bearing one in each hand, arms crossed over their chest.
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Ankh in hieroglyphs |
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The origin of the symbol remains a mystery to Egyptologists, and no single hypothesis has been widely accepted. One of the earliest suggestions is that of Thomas Inman, first published in 1869:[2]
It is by Egyptologists called the symbol of life. It is also called the "handled cross", or crux ansata. It represents the male triad and the female unit, under a decent form. There are few symbols more commonly met with in Egyptian art. In some remarkable sculptures, where the sun's rays are represented as terminating in hands, the offerings which these bring are many a crux ansata, emblematic of the truth that a fruitful union is a gift from the deity.
E. A. Wallis Budge postulated that the symbol originated as the belt-buckle of the mother goddess Isis,[citation needed] an idea joined by Wolfhart Westendorf with the notion that both the ankh and the knot of Isis were used in many ceremonies.[citation needed] Sir Alan Gardiner speculated that it depicts a sandal strap, with the loop going around the ankle.[citation needed] The word for sandal strap was also spelled ꜥnḫ, although it may have been pronounced differently.
In their 2004 book The Quick and the Dead,[3] Andrew Hunt Gordon and Calvin W. Schwabe speculated that the ankh, djed, and was symbols have a biological basis derived from ancient cattle culture (linked to the Egyptian belief that semen was created in the spine), thus:
Egyptian academics, in particular those at the University of Cairo, argue that the ankh has been over-interpreted and that it is representative of the pivotal role of the Nile in the country.[citation needed] The oval head is said to represent the Nile delta, with the vertical mark representing the path of the river and the East and West arms representing the two sides of the country and their unification.[citation needed]
The ankh appears frequently in Egyptian tomb paintings and other art, often at the fingertips of a god or goddess in images that represent the deities of the afterlife conferring the gift of life on the dead person's mummy; this is thought to symbolize the act of conception.[citation needed] Additionally, an ankh was often carried by Egyptians as an amulet, either alone, or in connection with two other hieroglyphs that mean "strength" and "health" (see explication of djed and was, above). Mirrors of beaten metal were also often made in the shape of an ankh, either for decorative reasons or to symbolize a perceived view into another world.[citation needed]
Mika Waltari, who wrote the fictionalized documentary/novel The Egyptian in 1949, wrote of the origin of monotheistic culture in ancient Egypt, where the ankh first appeared as the symbol of this following. The first pharaoh to take on the name "ankh" within his own was the well known boy king, Tut-ankh-amon. According to this young king's father, Amun was the only God, symbolized by the sun resting on the horizon; thus the circle resting on a horizontal bar. It is a common misconception that Tutankhamon did not die a natural death, but was challenged in to a situation which brought about his injury and death. This, allegedly, (and quite possibly, through romantized fiction) was performed by those against this early monotheism.
A symbol similar to the ankh appears frequently in Minoan and Mycenaean sites. This is a combination of the sacral knot (symbol of holiness) with the double-edged axe (symbol of matriarchy)[4] but it can be better compared with the Egyptian tyet which is similar. This symbol can be recognized on the two famous figurines of the chthonian Snake Goddess discovered in the palace of Knossos. Both snake goddesses have a knot with a projecting loop cord between their breasts.[5] In the Linear B (Mycenean Greek) script, ankh is the phonetic sign za.[6]
The ankh also appeared frequently in coins from ancient Cyprus and Asia Minor (particularly the city of Mallus in Cilicia).[7] In some cases, especially with the early coinage of King Euelthon of Salamis, the letter ku, from the Cypriot syllabary, appeared within the circle ankh, representing Ku(prion) (Cypriots). To this day, the ankh is also used to represent the planet Venus (the namesake of which, the goddess Venus or Aphrodite, was chiefly worshipped on the island) and the metal copper (the heavy mining of which gave Cyprus its name).
David P. Silverman notes how the depiction of the ancient Egyptian ankh was preserved by the Copts in their representation of the Christian cross, the coptic cross.[8]
The ankh is one of the best and most widely known symbols of ancient Egypt and it is often used as the graphic synonym for this ancient culture. Due to this context, as well as due to the fact that many pictures of Egyptian gods and goddesses contained the symbol ankh in their hands, this symbol was adopted as a symbol of modern religion called Kemetism (although different Gnostic sects have long used this symbol), which is reconstructing the ancient Egyptian religion at the present. Many neo-pagan, New Age, and pagan sects wear the ankh as a symbol of power and wisdom or to show that they honor the Egyptian pantheon. It is commonly seen in jewelry such as rings and necklaces and despite its earlier uses it is cast in silver (versus the gold or copper the ancients used).
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Key of Life (鍵泥棒のメソッド Kagi Dorobō no Method, lit. "(The/A) Key Thief's Method") is a 2012 Japanese comedy film directed by Kenji Uchida. The film opened in Japan on September 15, 2012.
The film begins by introducing its three principal characters: Kanae Mizushima is a mousy editor for a magazine that reviews all sorts of rare and luxury items, who announces her intention to marry despite not having found a husband; Takeshi Sakurai is an out-of-work and heavily indebted actor whose attempt to kill himself fails; Junitsu Kondo is a wealthy killer for hire who has just finished a job.
Their paths cross when Sakurai and Kondo go to the same bathhouse. Undressing near each other, Sakurai clearly envies Kondo's designer clothes and accessories, luxury car keys, and heavy wallet. When Kondo slips on a bar of soap and hits his head, knocking himself unconscious, Sakurai switches locker keys and uses Kondo's key to steal his clothes, car keys, wallet, and identity. His first action is to repay all of his debts. After doing so, Sakurai begins to feel guilty about stealing Kondo's identity and visit him in the hospital. There, Kondo wakes up, but it is clear that he has amnesia. Realizing that he can get away with what he did, Sakurai backs out of his plan to return what he stole to Kondo. He instead continues to live off of Kondo's wealth. The newly conscious Kondo, freshly discharged from the hospital, attempts to make sense of the life he assumes is his own but which is Sakurai's. On his way home from the hospital, Kondo meets Mizushima, who had been visiting her terminally ill father; she offers to give him a ride to his apartment, and they strike up a friendship. Eventually, despite having known him for a very brief amount of time, Mizushima asks Kondo to marry her, a request which he accepts confusedly.