Kempyang and ketuk

The kempyang and ketuk are two instruments in the gamelan, generally played by the same player, and sometimes played by the same player as the kenong. They are important beat-keepers in the colotomic structure of the gamelan. Depending on the structure, they play different, repeating patterns every gongan. Not all structures use the kempyang, but the kempyang is never played without the ketuk.

They are shaped like bonang, but are generally placed in their own frame (rancak). The kempyang is pitched higher (about one octave, although it depends if they are in the pelog or slendro set. Both have a central boss like the bonang, but the kempyang has a rounder top (like the higher bonangs), while the ketuk has a flat top (like the lower bonangs).

In the common numerical notation, kempyang strokes are marked by "-" while the ketuk is marked by "+". The ketuk pattern is used to classify longer gendhing types, where it refers to the number of ketuk strokes in a nongan.

Further reading

Podcasts:

PLAYLIST TIME:

Banana Man

by: Ghoti Hook

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But he thinks that's okay
he needs a job to pay off his mortgage and his chevrolet
If tricks you want then he ain't your person
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Except the time when he is running from the policeman
Ah... Ah... Ah... yeah
Banana Man! 1 2 3!
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Banana Man! 1 2 3!
Banana Man! I'm Banana Man!
Banana Man! Dance with me!
Whoa, Oh!
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Ah... Ah... Ah... Yeah!
Banana Man! 1 2 3!
Banana Man! I'm Banana Man!
Banana Man! Dance with me!
Whoa, Oh!
Banana Man! 1 2 3!
Banana Man! I'm Banana Man!
Banana Man! Dance with me!
Whoa, Oh!
Banana Man! 1 2 3!
Banana Man! I'm Banana Man!
Banana Man! Dance with me!
Whoa, Oh!
Banana Man! 1 2 3!
Banana Man! I'm Banana Man!
Banana Man! Dance with me!




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