KERO-TV, channel 23, is a television station located in Bakersfield, California, US. KERO-TV is owned by the broadcasting division of the E. W. Scripps Company, and is an affiliate of the ABC television network. The studios are located on 21st Street in downtown Bakersfield, and its transmitter is based on Breckenridge Mountain.
KERO-TV went on the air on September 26, 1953, on channel 10 as an NBC affiliate. During the late 1950s, the station was also briefly affiliated with the NTA Film Network. KERO-TV was first owned by a local interest, Kern County Broadcasters, along with KERO radio (1230 AM, now KGEO). The TV station, along with KERO radio, originally broadcast from the lobby of the El Tejon Hotel, which was located at the corner of Truxtun Avenue and Chester Avenue. KERO-TV later moved to its current studios at 321 21st Street.
The radio and TV stations were broken up in late 1955, when KERO radio was sold. Wrather-Alvarez Broadcasting, parent of KFMB-AM-TV in San Diego, purchased KERO-TV in early 1957; when the Wrather–Alvarez partnership broke up a year later, Jack Wrather kept KERO-TV and the San Diego stations as part of his newly renamed Marietta Broadcasting. In 1959, Wrather merged Marietta Broadcasting into Buffalo, New York-based Transcontinent Television Corporation.
A qiru (also spelled kero, quero, locally also qero) is an ancient Incan drinking vessel used to drink liquids like alcohol, or more specifically, chicha. They can be made from wood, ceramics, silver, or gold. They were traditionally used in Andean feasts.
Qirus were decorated by first cutting a shallow pattern on the surface of the cup, then filling the pattern with a durable, waterproof mixture of plant resin and pigment such as cinnabar. The finely incised lines would meet at intersection points that collaborated to create shapes such as triangles, squares, and diamonds. The shapes are organized in two to four horizontal registers.
One is generally decorated with lavish, hand-painted, geometric designs that follow the traditional techniques in Písac ceramics. Others, however, may be painted with narrative scenes that could possibly be true historical events. Many times they are solitary, other times they are found together with other types of Peruvian pottery. Qiru production reached its peak between 1000 and 1200 CE but continued after European contact. Qirus are most commonly found in Moquegua, Peru. The Museo Contisuyo in Moquegua has qirus on display.
Kero One is a Korean-American hip hop MC and producer from San Francisco, California. The origin of the name came from his graffiti tag when he was 15 and was short for Kerosene. In one of his lines from the album, "Windmills of the Soul," he says “When Kero’s on the Sene (scene) I fuel flames to burn emcees with more degrees than a PHD”.
Kero One's style, "has been compared to Common, Q-tip, and Kanye West, but Kero One's music is very positive and upbeat..."
When Kero One was 6, he started listening to old school hiphop on the radio. The first hiphop song he heard was by Boogie Down Productions. Since then, he collected records with genres spanning from hiphop, 70’s soul, funk, jazz, latin, soulful house, electronica and rock.
Later on, Kero One originally worked as a web designer, making 50 copies of his first single with home equipment and personal credit cards. He released his first 12” record “Check the Blueprints” in 2003 on his own imprint, Plug Label. Of the 50 copies that were eventually distributed around the world, one landed in a tiny record store in Tokyo, Japan. A few weeks later, it was found by a Japanese DJ who played it at a club that night and received dozens of inquiries, including a Japanese label executive who immediately contacted Kero One and asked for 3,000 copies of the record. The record, “Check the Blueprints” became an underground hiphop classic in Japan selling almost 15,000 copies, and Kero One was invited to tour the country just a few months after. He performed in cities throughout Japan.
Opet sam cekala da se guzva razidje
I da se smiri Kosava
Da mi k'o nekada iza ledja naidjes
Konacno da udahnem do dna
Opet se vracaju kao da ih placaju
Oni za koje pomislim
A tu u grudima gde te vidim samo ja
Ti jos stojis kao zaoka
Nisam verna, nisam zlatna, ni postena
Samo nisam ni iz ovog vremena
Posle tebe svi se prave heroji
Svi gledaju u mene kao porota
Posle tebe vise prava rec ne postoji