A try is a way of scoring points in rugby union and rugby league football. A try is scored by grounding the ball in the opposition's in-goal area (on or behind the goal line). Rugby union and league differ slightly in defining 'grounding the ball' and the 'in-goal' area.
The term try comes from try at goal, signifying that originally, grounding the ball only gave the opportunity to try to score with a kick at goal.
A try is analogous to a touchdown in American and Canadian football, with the major difference being that a try requires the ball be simultaneously touching the ground in the in-goal area and an attacking player who is in the field of play or in-goal (the official name of the extra point in American football according to NFL rules is the try). In the laws of both codes of rugby, the term touch down formally refers only to grounding the ball by the defensive team in their in-goal. Although occasionally people refer to a try as a 'touchdown', the correct usage for the action is 'grounding the ball'.
Try! is the first live album by the John Mayer Trio. It was released by Columbia Records on November 22, 2005. The album was nominated for Best Rock Album at the 49th Annual Grammy Awards.
The trio features John Mayer (guitar/lead vocals), Pino Palladino (bass), and Steve Jordan (drums/backup vocals). Unlike previous efforts by John Mayer, Try! focuses on popular blues renditions rather than adult-contemporary pop songs. The CD includes two cover songs, "Wait Until Tomorrow" by Jimi Hendrix, and "I Got a Woman" by Ray Charles; two of Mayer's previous album, Heavier Things' songs, "Daughters" and "Something's Missing"; and also showcased two songs from Mayer's then forthcoming album, Continuum, "Vultures" and "Gravity".
Critical response to the album was mixed, with most critics being impressed with Mayer's progression and Palladino and Jordan's musicianship, while still being underwhelmed. Christian Hoard of Rolling Stone said, "over most of these sixty-three minutes [of the album], Mayer proves he can bowl you over, not just make your knees weak," ultimately giving the album three out of five stars. Katy Hastey of Billboard found that "while "Try!" is brimming with talent, it's not consistently compelling."People magazine heartily praised the album, concluding, "Here's hoping Mayer keeps this new groove going for his next solo disc."
I Got Dem Ol' Kozmic Blues Again Mama! is a 1969 studio album by Janis Joplin. It was the first solo studio album Joplin recorded after leaving her former band, Big Brother and the Holding Company, and the only one released in her lifetime (Pearl was released 3 months after Joplin's death).
Recording began on June 16, 1969 in New York City and ceased on June 26. For the album, Joplin recruited guitarist Sam Andrew of the Holding Company to take part in developement, along with the Kozmic Blues band. Joplin installed a brass and horn section into the tracks, a feature her previous band would not allow. It was a total contrast to Joplin's previous psychedelic rock as the compositions chosen were more soul and blues driven. All but two tracks were cover versions that producer Gabriel Mekler and Joplin chose. The other two tracks, "One Good Man" and "Kozmic Blues", were written by Joplin herself. Overall, the album was a more polished work, but with the lack prominent accompanists like the Holding Company, the album was not as successful as Cheap Thrills.
Akira (often stylized as AKIRA) is a Japanese manga series written and illustrated by Katsuhiro Otomo. Set in a post-apocalyptic Neo-Tokyo, the work uses conventions of the cyberpunk genre to detail a saga of turmoil. Initially serialized in the pages of Young Magazine from 1982 until 1990, the work was collected into six volumes by its publisher Kodansha. The work was first published in an English-language version by the Marvel Comics imprint Epic Comics, one of the first manga works to be translated in its entirety. Otomo's art is considered outstanding, and a breakthrough for both Otomo and the manga form. Throughout the breadth of the work, Otomo explores themes of social isolation, corruption, and power.
An animated film adaptation (anime) was released in 1988 which shortened the plot considerably, but retained much of the main character and plot structures from the manga as well as many original scenes and settings. The manga takes place in a longer time frame than the film, and involves a much wider array of characters and subplots. Otomo's Akira anime marked his transition from a career primarily in manga, to one almost exclusively in anime.
Kei (けい, ケイ) is a Japanese male's personal name; used increasingly as a female's personal name, as a shortening of Keiko.
Kei can be written using different kanji characters and can mean:
The name can also be written in hiragana or katakana.
The 223 series (223系) is a suburban electric multiple unit (EMU) train type operated by West Japan Railway Company (JR West) in the Kansai Region, Chūgoku region and Shikoku of Japan. Multiple batches of the train have been built with varying differences (particularly motor output control), although the overall general appearance remains similar.
Design of the rolling stock was an improved adaptation of the 221 series, with three pairs of doors per side per car and a transverse seating layout. Production of the train first began in 1993.
The first model (223-0) was delivered earlier than expected, and saw introduction into service on April 1, 1994 on the Hanwa Line. Later in the same year, on September 4 it began serving the Kansai Airport Line Rapid Service as Kansai International Airport opened. The train was initially fitted with luggage racks, for passengers travelling to/from the airport. A 1 + 2 seating configuration has been adopted to allow passengers to place bulky luggage on the floor where necessary.
Bastards of madness
Call out this prayer of vengeance
Speaking to enemies through these wounds of redemption
Tearing out their eyes with horror
Behold this chosen new devise
As the silence pleads this forgiveness
A senseless begging for absolution
Upon this entrance into oblivion
This fallen angel of defiance, destitute to isolation
Hold tight to liberation, in the form of reprisal
Project of this restored frame, in these pain filled alterations
This new threat of changing life restless in this completion
Powerless you crawl like pigs
Soon to be slaughtered
Suckling to a faith that you avidly hoped would save you all
These offerings will bring us our justice.
For these years of diluted lies
The answers to our freedom
The answer to the death of gods
These hands held into the sky so the dark
Winds can taste the blood of murder
As the blackest hearts obey thoughts of evil
Deathlorn rites, endure the lust for revenge
Surrender the state of embracement and release
This life from the dark interiors
Discomfort of this assisted torment is given in these regards
A scourge of awakening
Prisoned in the rites of blood
Bestowed with ancient plagues, we will forge a disease
Of rape upon your ideals
Within this lifeblood we will find the truths as blades
Slice open their necks
The answers to our freedom
The answer to the death of gods
Once reconstructed the swarm will digest
The souls of this imperfection
Sterilizing faith bringer has discharged
This assembly of this damnation
Burden me with your weak
Curse me with your sick
In blood filled walls I lie confined