Solo or SOLO may refer to:
Solo is the musical outfit of Dutch musicians Michiel Flamman and Simon Gitsels. The duo released two albums, of which the latest Solopeople was the biggest success. The album released on label Excelsior Recordings spawned a Dutch top 20 hit with Come Back To Me.
In 2003 Flamman and Gitsels team up under the name Solo. By then both have already paid their dues in the music industry. Flamman performed under the name J. Perkin and wrote songs for other artists. Gitsels worked as sessions musician for Mathilde Santing and Birgit.
A year later the duo signs with Excelsior Recordings. On this label Solo releases its debut album Songs ‘n Sounds on August 16. The record is produced by Martijn Groeneveld and contains contributions from Minco Eggersman (at the close of every day), Rowin Tettero (Mindmeners) and Marg van Eenbergen (Seedling). The latter two also support Flamman and Gitsels during live shows. In November Solo receives an Essent award.
Solo is an orange-flavoured soft drink, owned by the Norwegian companies Ringnes, Oskar Sylte, Aass, and Mack. The recipe was originally Spanish, and brought to the Tønsberg Bryggeri by Torleif Gulliksrud in 1934. Solo quickly became Norway's most popular soft drink, and until the 1960s was bigger than Coca-Cola in Norway. In 1999, Pepsi passed Solo in market share, leaving Solo as third most popular.
As of 2005, Solo has a seven percent share of the Norwegian soft drink market. Variants of the original Solo include Solo Super (less sugar), Solo Sunset and Solrik (juice).
Akira (often stylized as AKIRA) is a Japanese manga series written and illustrated by Katsuhiro Otomo. Set in a post-apocalyptic Neo-Tokyo, the work uses conventions of the cyberpunk genre to detail a saga of turmoil. Initially serialized in the pages of Young Magazine from 1982 until 1990, the work was collected into six volumes by its publisher Kodansha. The work was first published in an English-language version by the Marvel Comics imprint Epic Comics, one of the first manga works to be translated in its entirety. Otomo's art is considered outstanding, and a breakthrough for both Otomo and the manga form. Throughout the breadth of the work, Otomo explores themes of social isolation, corruption, and power.
An animated film adaptation (anime) was released in 1988 which shortened the plot considerably, but retained much of the main character and plot structures from the manga as well as many original scenes and settings. The manga takes place in a longer time frame than the film, and involves a much wider array of characters and subplots. Otomo's Akira anime marked his transition from a career primarily in manga, to one almost exclusively in anime.
* Chorus
(Repeat twice)
We don't get down like dat
Even though it might look it might sound like dat
Nigga you can fuck around and get down like dat
Fo' real.Fo' real
[First verse]
Sittin' in the back….hella quiet
Eye's hidden with the hat
Silent but violent is how he act's
Only word's said "I'll be back"
Even the fatigues are black
With the tree's n' the gatt
Fifty gee's in the 'lac
Smellin' the sack
Find a nice little rat n' probably never come back
Be circlein' her house like "where-ever her at?"
Other than that a nigga stay, smotherin' rat's
All in her cat even if she motherin' dat
Dis' E.S.O.O.G. sippin' VSOP in the V.I.P
But now he know in the E.S.O
They doh'wanna seize (see's?) you all in the G.S.four
Heat in the trunk bad bitch n' she in some pump's
While you a hop skip n' a jump from being a punk
Or put his 85 Fleet up on your lawn n' snatch up your first born
Like Elle Anne or Jean Benet n' see you on your way
Everything you love it could be gone today
Eh I'm psycho alpha crazy disco
What, a brother know?
Than again what a bitch know?
Shit's so easy for the schizo get dough flip mo'
------? ------? -----?
Chorus
(Repeat twice)
Eh we don't get down like dat
Even though it might look or might sound like dat
Nigga you can fuck around and get down like dat
Fo' real.Fo' real
[Second verse]
Just because I got my own C.D. n' bitch's be on my lyric's like ecstasy
You can catch me (Uwe?) n' E Fee (check shout out's) in a S.U.V
With bitch's lookin' at us like "rescue me!"
Manipulatin' women, that's my speciality
So that could be me in the Lex two gee
And next to me a stallion talkin' 'bout sex
Nigga I'm a do my thang wit' you if I hang wit you
If I ain't wit chu I'm aimin' for brain tissue
When nigga's who came with you think I'm playin' games wit you
I aimmm n' hit you with the same pistol
I ain't a killer n' premeditated murder undereducated.
And don't get away wit it, be pointin', the finger like "Dey did it!"
A nigga snitch went bitch real game wit it
I freak a flow just to play wit it
Just like I play wit ho's intelligence n' tell a bitch I'm celibate
Just for the hell of it
Didn't like smell of it
She highly upset
I'm highly intelligent
Buildin' on future development
The hardest emcee's out are now delicate
Rap voyeur
Wit slap for ya
Tha' warrior Dela Hoya
Swingin' wit no feeling's for ya
Chorus
(Repeat three times)
Eh we don't get down like dat
Even though it might look or might sound like dat
Nigga you can fuck around and get down like dat
Fo' real.Fo' real
Final chorus
(Slightly changed)
Eh Eh we don't fuck around like dat
Even though it might look it might sound like dat
Nigga you can fuck around and get down like dat
Fo' real. Fo' real