"Keep on My Side" was Ammonia's fourth single from their second album Eleventh Avenue. It was released in May 1998 on the Murmur Records, just after the album's release and was the last song the band released as a single before breaking up.
The song, together with the other songs on the album was recorded in 1997 at Tarbox Studios in Cassadaga, New York, with producer Dave Fridmann (The Flaming Lips, Mercury Rev). Australian musicologist, Ian McFarlane, felt the single showed "melodic rock akin to UK bands like Radiohead or Teenage Fanclub."
All songs written and composed by A. Balmont, S. Hensworth, D. Johnstone.
Keep On is the third album from original Pop Idol winner Will Young. The album was released on 21 November 2005, debuting at number 2 on the albums chart in the United Kingdom, as the album sold 107,318 copies in its first week. However, its biggest sales were 132,109, in its fifth week when the album placed at number 13. This is also his first album not to go number 1. It is, however, his second best-selling album, with sales of almost 1.01 million.
Keep On was released in two formats, CD and DualDisc. The Dual Disc contains the audio tracks on one side, and DVD content on the other, containing 25 minutes of exclusive footage.
Workin' Overtime is the seventeenth studio album by American singer Diana Ross, released on June 6, 1989 by Motown. It was Ross' first Motown album since Diana (1980), after Ross left the label for a then record breaking $20 million deal with RCA. Upon Diana's return to the label, Motown founder Berry Gordy, Jr. had sold the label to MCA Records and had positioned Jheryl Busby to the head of Motown. Ross was at first reluctant to return to her old label but Gordy promised her a lot in her return: not only would Ross return to Motown as a recording act, but she would be the label's part-owner. Ross reunited with collaborator Nile Rodgers to make this album - which was an attempt to gear her to a much younger audience bringing in new jack swing productions and house music.
Upon its release, Workin' Overtime received negative reviews from music critics and failed despite the title track reaching number three at R&B radio. The album peaked at number 116 on the Billboard 200 album chart, earning the distinction of being the lowest charting studio album of Ross' entire solo career. Its final sales were slightly higher than 100,000 copies in the United States. Additional singles "This House" and "Bottom Line" were issued, as well as a remix of "Paradise" remixed by Shep Pettibone, but all failed to revive the disc. In the United Kingdom the album charted at number 23 and was certified silver for sales in excess of 60,000 copies.
"Keep On" is a post-disco song written by Hubert Eaves III, James Williams of D. Train. It was remixed by François Kevorkian and Eaves III. The song reached #2 on Billboard 's Hot Dance Club Play chart and number #15 on R&B chart in 1982.
Side (Greek: Σίδη) is an ancient Greek city on the southern Mediterranean coast of Turkey, a resort town and one of the best-known classical sites in the country. It lies near Manavgat and the village of Selimiye, 78 km from Antalya in the province of Antalya.
It is located on the eastern part of the Pamphylian coast, which lies about 20 km east of the mouth of the Eurymedon River. Today, as in antiquity, the ancient city is situated on a small north-south peninsula about 1 km long and 400 m across.
Strabo and Arrian both record that Side was founded by Greek settlers from Cyme in Aeolis, a region of western Anatolia. This most likely occurred in the 7th century BC. Its tutelary deity was Athena, whose head adorned its coinage.
Dating from the tenth century B.C., its coinage bore the head of Athena (Minerva), the patroness of the city, with a legend. Its people, a piratical horde, quickly forgot their own language to adopt that of the aborigines.
Possessing a good harbour for small-craft boats, Side's natural geography made it one of the most important places in Pamphylia and one of the most important trade centres in the region. According to Arrian, when settlers from Cyme came to Side, they could not understand the dialect. After a short while, the influence of this indigenous tongue was so great that the newcomers forgot their native Greek and started using the language of Side. Excavations have revealed several inscriptions written in this language. The inscriptions, dating from the 3rd and 2nd centuries BC, remain undeciphered, but testify that the local language was still in use several centuries after colonisation. Another object found in the excavations at Side, a basalt column base from the 7th century BC and attributable to the Neo-Hittites, provides further evidence of the site's early history. The name Side may be Anatolian in origin, meaning pomegranate.
Cue sports techniques (usually more specific, e.g., billiards techniques, snooker techniques) are a vital important aspect of game play in the various cue sports such as carom billiards, pool, snooker and other games. Such techniques are used on each shot in an attempt to achieve an immediate aim such as scoring or playing a safety, while at the same time exercising control over the positioning of the cue ball and often the object balls for the next shot or inning.
In carom games, an advanced player's aim on most shots is to leave the cue ball and the object balls in position such that the next shot is of a less difficult variety to make the requisite carom, and so that the next shot is in position to be manipulated in turn for yet another shot; ad infinitum.
Similarly, in many pocket billiards games, an advanced player's aim is to manipulate the cue ball so that it is in position to pocket (pot) a chosen next object ball and so that that next shot can also be manipulated for the next shot, and so on. Whereas in the carom games, manipulation of the object ball's position is crucial as well on every shot, in some pool games this is not as large a factor because on a successful shot the object ball is pocketed. However, many shots in one-pocket, for example, have this same added object ball control factor for most shots.
The terms A-side and B-side refer to the two sides of 78 and 45 rpm phonograph records, whether singles or extended plays (EPs). The A-side usually featured the recording that the artist, record producer, or the record company intended to receive the initial promotional effort and then receive radio airplay, hopefully, to become a "hit" record. The B-side (or "flip-side") is a secondary recording that has a history of its own: some artists, notably Elvis Presley, Little Richard, the Beatles, Chuck Berry, and Oasis, released B-sides that were considered as strong as the A-side and became hits in their own right. Creedence Clearwater Revival had hits, usually unintentionally, with both the B-sides of their A-side releases. Others took the opposite track: producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side.
(Verse:)
There is a sound rising up
From the heart of His people
A prideful, a move of God
The earth has been waiting for manifestations
Revealing the sons of God
Now is the time for His people
To rise and declare every chain has been broken
Salvation is here
(Chorus: x2)
Nothing happens until something is spoken
Speak a word, every chain will be broken
(Verse)
(Chorus)
(Bridge:)
The things bound on earth
Are bound in the heavens
Everything loosed on earth
Is loosed in the heavens
But we open our mouths
And we speak what He says
Things will change... they must change!
So we declare...
(x3:)
Freedom (freedom)
Salvation (salvation)
Healing (healing)
Deliverance (deliverance)
To every nation and all of creation
(Ending: x3)