San Joaquin Light and Power Corporation Building
San Joaquin Light and Power Corporation Building is an historic 11-storey, 52.8 m (173 ft) high-rise in downtown Fresno, California. The building was completed in 1923 for the San Joaquin Light and Power Corporation, that later became the Pacific Gas and Electric Company, by chief designer Raymond R. Shaw of the R.F. Felchlin Company. The building is the fourth tallest in the city.
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The Grand
The Grand may refer to:
See also
The Grand (TV series)
The Grand is a British television drama series was produced by Granada Television for the ITV network, first broadcast between 4 April 1997 and 3 April 1998. It was written by Russell T Davies and set in a grand hotel in Manchester in the 1920s.
There are two series: eight episodes in the first series were broadcast from 4 April 1997 to 23 May 1997 and ten in the second series from 30 January 1998 to 3 April 1998. All 18 episodes were written by Russell T Davies. The cast included Susan Hampshire, Julia St. John, Tim Healy, Michael Siberry, Stephen Moyer and Mark McGann.
The two series were novelised by Catrin Collier, under the pen name Katherine Hardy.
Characters
The series featured the Bannerman family that owned and ran the hotel, the staff that lived in the basement and occasional guests.
Keep On
Keep On is the third album from original Pop Idol winner Will Young. The album was released on 21 November 2005, debuting at number 2 on the albums chart in the United Kingdom, as the album sold 107,318 copies in its first week. However, its biggest sales were 132,109, in its fifth week when the album placed at number 13. This is also his first album not to go number 1. It is, however, his second best-selling album, with sales of almost 1.01 million.
Keep On was released in two formats, CD and DualDisc. The Dual Disc contains the audio tracks on one side, and DVD content on the other, containing 25 minutes of exclusive footage.
Track listing
Charts and certifications
Charts
References
Workin' Overtime
Workin' Overtime is the seventeenth studio album by American singer Diana Ross, released on June 6, 1989 by Motown. It was Ross' first Motown album since Diana (1980), after Ross left the label for a then record breaking $20 million deal with RCA. Upon Diana's return to the label, Motown founder Berry Gordy, Jr. had sold the label to MCA Records and had positioned Jheryl Busby to the head of Motown. Ross was at first reluctant to return to her old label but Gordy promised her a lot in her return: not only would Ross return to Motown as a recording act, but she would be the label's part-owner. Ross reunited with collaborator Nile Rodgers to make this album - which was an attempt to gear her to a much younger audience bringing in new jack swing productions and house music.
Upon its release, Workin' Overtime received negative reviews from music critics and failed despite the title track reaching number three at R&B radio. The album peaked at number 116 on the Billboard 200 album chart, earning the distinction of being the lowest charting studio album of Ross' entire solo career. Its final sales were slightly higher than 100,000 copies in the United States. Additional singles "This House" and "Bottom Line" were issued, as well as a remix of "Paradise" remixed by Shep Pettibone, but all failed to revive the disc. In the United Kingdom the album charted at number 23 and was certified silver for sales in excess of 60,000 copies.
Keep On (song)
"Keep On" is a post-disco song written by Hubert Eaves III, James Williams of D. Train. It was remixed by François Kevorkian and Eaves III. The song reached #2 on Billboard 's Hot Dance Club Play chart and number #15 on R&B chart in 1982.
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References
Podcasts:
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by Mickey Avalon
On The...
by: Mickey AvalonWhen the neon lights shine down,
and there's no one else around,
whatcha gonna do when the clock strikes two,
and all the freaks come out,
On the ave....
When the neon lights shine down,
and there's no one else around,
whatcha gonna do when the clock strikes two,
and all the freaks come out,
On the ave....
When you're on the ave...
Now I got a reason for breathin,
goodbye Hollywood and hello Cleveland.
I didn't tell my girl I was leavin,
packed my bags, jumped in the Lincoln.
Suicide doors more to the meaning,
Four on the floor, three on the tree and,
I'm doin' speed on the 405 freeway,
Officer give a white boy some leeway.
Downtown with the he-say she-say,
Dont mean nothin cause the he-she's cliche.
Downtown where your dreams just decay,
$40 for a ? $20 for a BJ
But uptown they play my CD's
Girls wanna fuck me, boys wanna be me.
Who's Mickey, she said, and smiled in a special way.
When the neon lights shine down,
and there's no one else around,
whatcha gonna do when the clock strikes two,
and all the freaks come out,
On the ave....
When you're on the ave...
Now I'm gonna keep on creepin'
Latchkey kids gettin' high all weekend.
Lookin past the hood of my Fleetwood,
Jesus on the dash and the king on the speaker.
You can find me in the back of the theater like
Pee Wee Herman, holdin my weiner.
I ain't seen her since the milk went bad
and I didn't mean to beat her is what I told her dad..
Round town it's a stone cold fact,
Avalon got a gun in his lap.
Round town you can hear the clap,
when I take the stage, and shake my ass.
Out of town you can feel the heat,
when my bus pulls up and steals your freaks.
Out of town you can feel the noise,
come on girls, rock your boys!
When the neon lights shine down,
and there's no one else around,
whatcha gonna do when the clock strikes two,
and all the freaks come out,
On the ave...
When you're on the ave...
When the neon lights shine down,
and there's no one else around,
whatcha gonna do when the clock strikes two,
and all the freaks come out,
On the ave....
When you're on the ave...
Now I'm gonna speak on freedom,
do what you like fuck other people.
They tell you what you're supposed to do,
how about your girl do me, and you do you.
Now kick rocks before you get shot,
in the back of the head all you heard was POP
Goes to weasel cause the weasel smoke rock,
Hypodermic needle paramedic on the block.
Chop your body up, drop it off the dock,
why you gotta go and call the mothafuckin cops?
It's too late babe it could've been great,
but you had to go and stab me in the back with a steak knife.
Late night, waste away,
Chain smokin' til the drapes turn grey.
Cocaine helps me face the day,
and then the pills wash the pain away.
I won't be blamed for your mistakes,
burned at the stake,
for God's sake.
When the neon lights shine down,
and there's no one else around,
whatcha gonna do when the clock strikes two,
and all the freaks come out,
On the ave....
When you're on the ave...
When the neon lights shine down,
and there's no one else around,
whatcha gonna do when the clock strikes two,
and all the freaks come out,
On the ave....