Kean (musical)

Kean is a musical with a book by Peter Stone and music and lyrics by Robert Wright and George Forrest.

Using material by Jean-Paul Sartre and Alexandre Dumas, père as its source, it centers on the adventures of Edmund Kean, considered the greatest Shakespearean actor of the early 19th century, focusing primarily mainly on his wild behavior offstage. Trouble ensues as Kean desperately tries to juggle the two women in his life - the Danish Ambassador's wife, Elena, and a young aspiring actress, Anna.

After one preview, the Broadway production, directed and choreographed by Jack Cole, opened on November 2, 1961 at the Broadway Theatre, where it ran for 92 performances. The cast included Roderick Cook, Alfred Drake, Larry Fuller, Christopher Hewett, Joan Weldon, and Lee Venora.

Drake was nominated for the Tony Award for Best Actor in a Musical, and the show was nominated for Best Conductor and Musical Director.

An original cast recording was released by Columbia Records. This album is one of the most valuable original cast albums because of its scarcity.

Kean

Kean may refer to:

See also

Kean (film)

Kean, ou Désordre et génie (also known as Edmund Kean: Prince Among Lovers) is a 1924 French drama film directed by Alexandre Volkoff, and starring Ivan Mosjoukine as the actor Edmund Kean.

Cast

References

External links

Kean (name)

Kean is both a surname and a given name. Notable people with the name include:

Surname:

Given name:

Musical

Musical may refer to:

See also

Musical film

The musical film is a film genre in which songs sung by the characters are interwoven into the narrative, sometimes accompanied by dancing.

The songs usually advance the plot or develop the film's characters, though in some cases they serve merely as breaks in the storyline, often as elaborate "production numbers".

The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if there is a live audience watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it.

Musical films in the Western world

The classical sound era

The 1930s through the early 1950s are considered to be the golden age of the musical film, when the genre's popularity was at its highest in the Western world.

Musical theatre

Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting, and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through the words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.

Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre works of American creators like George M. Cohan. The Princess Theatre musicals and other smart shows like Of Thee I Sing (1931) were artistic steps forward beyond revues and other frothy entertainments of the early 20th century and led to such groundbreaking works as Show Boat (1927) and Oklahoma! (1943). Some of the most famous and iconic musicals through the decades that followed include West Side Story (1957), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misérables (1985), The Phantom of the Opera (1986), Rent (1996), The Producers (2001) and Wicked (2003).