Kasba (English: The Town) is a 1991 Indian drama film written and directed by Kumar Shahani. It is based on the short story In the Ravine by the famous Russian playwright Anton Chekov. The movie is an import work in the Indian Parallel Cinema movement which started in the early 1970s. It is one of the last films to be part of the movement as it died out by the early 1990s.
The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry. He runs away from his wife after their marriage night and ends up being arrested in Delhi. The police, with further investigation, start to crack down on Maniram's corrupt business all the while Tejo starts to become mad with power and greed.
Kasba is the third of Kumar Shahani's films to win the Filmfare Award for Best Film (Critics) after Maya Darpan and Khayal Gatha.
Kasba may refer to:
Kasba or The Casbah, is a suburb of the city of Kolkata, India. It is situated in the southern part of the city encircled by the Sealdah South section of the Eastern Railways to the west, Dhakuria and Haltu to the south, the Eastern Metropolitan Bypass to the east and the locality of Tiljala to the north.
'Kasba' means hamlet in Bengali and that was what it was - a hamlet for the people working in the nearby leather and allied factories of Tiljala and Tangra and also for the people working in various capacities for the residents of their highly prosperous neighbouring locality of Ballygunge just across the railway track to the west. (Incidentally, the word 'kasba', which means the same in Hindi and Bengali, also means the same as the Arabic 'casbah'.
The area received a major chunk of its current residents as a result of the partition of Bengal and India in 1947 by way of East Bengali Refugees. The main attraction for staying in Kasba was that it was just across the railway tracks from Ballygunge and Gariahat and so commuting to the locality was not an issue. The locality was also served by the Ballygunge railway station, giving a boost to its reachability.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.