![]() |
The topic of this article may not meet Wikipedia's general notability guideline. (June 2012) |
Kaos | ||||
---|---|---|---|---|
Studio album by Ana Tijoux | ||||
Released | 2007 | |||
Recorded | 2007 | |||
Genre | Latin, hip hop, jazz, pop | |||
Length | 39:07 | |||
Ana Tijoux chronology | ||||
|
Kaos is the fourth studio album by Latin hip hop artist Ana Tijoux, released in 2007 through Oveja Negra.[1]
No. | Title | Producer(s) | Length | |
---|---|---|---|---|
1. | "Intro" | |||
2. | "Gol" | |||
3. | "Despabílate" | |||
4. | "Dolores, Dolares" | |||
5. | "Llévame Muy Lejos" | |||
6. | "Las Pestañas De Lu" | |||
7. | "Otra Vez" | |||
8. | "Algún Día Te Diré" | |||
9. | "Llueve" | |||
10. | "Tres Copas Y Un Tiro" | |||
11. | "A Veces" | |||
12. | "Izquierda, Derecha" | |||
13. | "Crónicas De Una Muerte Anunciada" | |||
14. | "Desliz Automático" |
Battle Angel Alita, known in Japan as Gunnm (銃夢 Ganmu, literally "gun dream"), is a manga series created by Yukito Kishiro in 1990 and originally published in Shueisha's Business Jump magazine. Two of the nine-volume comics were adapted into two anime original video animation episodes titled Battle Angel for North American release by ADV Films and the UK and Australian release by Manga Entertainment. Manga Entertainment also dubbed Battle Angel Alita into English.
The series is set in the post-apocalyptic future and focuses on Alita, a cyborg who has lost all memories and is found in a garbage heap by a cybernetics doctor who rebuilds and takes care of her. She discovers that there is one thing she remembers, the legendary cyborg martial art Panzer Kunst, which leads to her becoming a Hunter Warrior or bounty hunter. The story traces Alita's attempts to rediscover her past and the characters whose lives she impacts on her journey. The manga series is continued in Battle Angel Alita: Last Order and Gunnm: Mars Chronicle.
Joseph "Joey" Muñoz (born January 20, 1979) is an American professional wrestler better known by his ring name Kaos (sometimes spelled as KAOS or kAos). He is best known for his work in Xtreme Pro Wrestling, Combat Zone Wrestling, Wrestling Society X and NWA Championship Wrestling from Hollywood.
Joey Munoz, known as Kid Kaos, started training at age 14 in 1994.
Muñoz debuted in Xtreme Pro Wrestling on July 31, 1999, using the ring name Kid Kaos, and the nickname "The Rock Superstar". He was trained by his uncle, fellow XPW star Supreme. On August 27, 2001, he won the Television Champion would go on to become the longest reigning champion, holding the title for 18 months.
In addition to teaming with Supreme, Muñoz formed the Fighting Santino Brothers tag team with longtime friend and training partner El Mongol which sees both men wear black masks as well be accompanied by their manager Jezebel. Muñoz also wrestles as a singles wrestler under his real name or by the ring name Kaos.
Brotherhood or The Brotherhood may refer to:
Brotherhood is a British sitcom that has broadcast on Comedy Central since 2 June 2015.
The series centres around three brothers: Dan (age 25), Toby (aged 23) and Jamie (aged 14). Since their mother's death six months before the events of the series, Dan and Toby have become the guardians of Jamie who hasn't said a word since the death. The two also have to get their aunt Debbie off their backs as she believes that she should be the one caring for Jamie.
Brotherhood is the fourth studio album by the English rock band New Order, released in 1986 by Factory Records. The album contains a mixture of post-punk and electronic styles, roughly divided between the two sides.
Brotherhood includes the band's break-out single in the USA and Australia, "Bizarre Love Triangle". It is the only track from the album released as a single and as a video (although "State of the Nation" was on the CD). It found its way onto many 1980s soundtracks, including Married to the Mob.
The album sleeve was created by Peter Saville and is a photograph of a sheet of titanium-zinc alloy. Some early releases come in a metallic effect sleeve.
In 2008 the album was re-released in a Collector's Edition with a bonus disc.
In a 1987 interview with Option, Stephen Morris commented that the "mad ending" to "Every Little Counts" (which sounds like a vinyl record needle skipping the groove) is similar to the ending of The Beatles' "A Day in the Life". Morris said: "What we should have done is make the tape version sound like the tape getting chewed up. The CD could have the sticking sound."