Kanda (神田) is a district in Chiyoda, Tokyo, Japan. It encompasses about thirty neighborhoods. Kanda was a ward prior to 1947, when the 35 wards of Tokyo were reorganized into 23.
It is home to the Kanda Myojin (Shinto) shrine, devoted to Taira no Masakado, who led a rebellion against the central government during the Heian period. In the Edo period, the shrine's festival was one of the three most famous in the city.
Kanda is also the home of the Tokyo Resurrection Cathedral which was built by Nicholas of Japan and is the main Cathedral of the Japanese Orthodox Church.
A popular Japanese television series, Zenigata Heiji, features a fictitious police patrolman (the title character) whose beat is Kanda. Near the end of every show, Heiji fells the dastardly villain by throwing a coin at him.
Tokyo! is a 2008 anthology film containing three segments written by three non-Japanese directors, all of which were filmed in Tokyo, Japan. Michel Gondry directed "Interior Design", Leos Carax directed "Merde", and Bong Joon-ho directed "Shaking Tokyo".
Directed by Michel Gondry. It is an adaptation of the short story comic "Cecil and Jordan in New York" by Gabrielle Bell.
Hiroko and Akira (Ayako Fujitani and Ryō Kase) are a young couple from the provinces who arrive in Tokyo with limited funds, short-term lodging and what appears to be a solid and mutually supportive relationship that will seemingly carry them through any challenge. Akira is an aspiring filmmaker whose debut feature will soon screen in the city — and hopefully lead to a more solid career; in the interim, he lands work wrapping gifts at a local department store. After securing short-term housing in the cramped studio apartment of old school chum Akemi (Ayumi Ito) — a career girl with a demanding boyfriend who grows weary of Akemi's houseguests — Hiroko hits the streets of Tokyo in search of a suitable apartment, finding a series of rat-infested hovels that neither she nor Akira can afford on their limited salaries. After Akira's film screens to dubious acclaim, one spectator informs Hiroko of the inherent struggles in relationships between creative types: often, one half of a couple feels invisible, useless, or unappreciated, something Hiroko relates to wholeheartedly in the wake of her numerous trials and tribulations in the unfamiliar city of Tokyo. She starts to question her role in the relationship, resulting in a startling transformation in which she turns into a wooden chair, and is taken in by a young man.
Tokyo (東京, Tōkyō, "Eastern Capital") (Japanese: [toːkjoː], English /ˈtoʊki.oʊ/), officially Tokyo Metropolis (東京都, Tōkyō-to), is one of the 47 prefectures of Japan, and is both the capital and largest city of Japan. The Greater Tokyo Area is the most populous metropolitan area in the world. It is the seat of the Emperor of Japan and the Japanese government. Tokyo is in the Kantō region on the southeastern side of the main island Honshu and includes the Izu Islands and Ogasawara Islands. Formerly known as Edo, it has been the de facto seat of government since 1603 when Shogun Tokugawa Ieyasu made the city his headquarters. It officially became the capital after Emperor Meiji moved his seat to the city from the old capital of Kyoto in 1868; at that time Edo was renamed Tokyo. Tokyo Metropolis was formed in 1943 from the merger of the former Tokyo Prefecture (東京府, Tōkyō-fu) and the city of Tokyo (東京市, Tōkyō-shi).
"Tokyo" is a 2007 single released by Swedish artist Danny Saucedo better known as Danny.
In 2008, Danny participated with the song in Polish Sopot International Song Festival
The song entered and peaked at #4 on Swedish Trackslistan on 24 February 2007 and charted for six weeks. The song peaked at #1 on the Swedish singles chart on 22 February 2007.
(Francisco Ulloa)
Ay, mamá (aé)
óyeme mi negra (oé)
corazón bendito
óyeme, mi negra
corazón bendito
no le des disgusto
a tu papacito
no le des disgusto
a tu papacito
Eh,... oh...
ay, Lolita, oh...
(¡Alínea!)
A mí no me gustan, Lola
a mí no me gustan
las mujeres ajenas
a mí no me gustan
las mujeres ajenas
tienen un sabor
a la berenjena
tienen un sabor
a la berenjena
Ay, Lola... oh...
ay, Lolita, oh...
¡Fiesta!
¡Fuego, Ulloa!
Ay, mamá
ay, Lola, oh...
le dije a mi negra
que a mí no me cele
le dije a mi negra
que a mí no me cele
que a mí no me gustan
todas las mujeres
que a mí no me gustan
todas las mujeres
[Improv.]
¡Ey!... ¿Qué?
¡Guasábara!
[Parlando]
¡Usted la paga,
mano!
Un canto de hacha es una antigua tonada de trabajo, que se cantaba en el
campo cuando un
grupo de vecinos unían fuerzas para cortar un árbol. Las letras pueden
tratar de cualquier
tema, lo importante es cantar con ritmo constante, de tal manera que el
hacha caiga sobre el
árbol al final de cada verso, que termina con una exclamación rítmica
("oé .... aé").
Obviamente, los verdaderos cantos de hacha se cantan a un ritmo
considerablemente más
lento que el acelerado "perico ripiao" en el cual Francisco Ulloa