Zaza may refer to:
Zaza is a 1923 American silent romantic drama film directed and produced by Allan Dwan, and starring Gloria Swanson. This film is based on the 1899 French play of the same name produced on Broadway by David Belasco and starring Mrs. Leslie Carter. A print of the film is housed at the George Eastman House and the Library of Congress.
A previous film version was released by Paramount in 1915 starring Pauline Frederick. A third version, directed by George Cukor and starring Claudette Colbert, was released in 1939.
Za-Za is the third album from the hard rock band BulletBoys, released in 1993. This was their last album released by Warner Bros. Records, and the final one produced by Ted Templeman.
All songs written and composed by the BulletBoys.
Kaiser is the German word for "emperor". Like the Bulgarian, Serbian and Russian Czar it is directly derived from the Roman emperors' title of Caesar, which in turn is derived from the personal name of a branch of the gens (clan) Julia, to which Gaius Julius Caesar, the forebear of the first imperial family, belonged. Although the British monarchs styled "Emperor of India" were also called "Kaisar-i-Hind" in Hindi and Urdu, this word, although ultimately sharing the same Latin origin, is derived from the Greek: Καῖσαρ (kaisar), not the German Kaiser.
In English, the term 'the Kaiser' is usually reserved for the emperors of the German Empire and the emperors of the Austrian Empire. During the First World War, the term the Kaiser—especially as applied to Wilhelm II of Germany—gained considerable knowledge in English-speaking countries.
The Holy Roman Emperors (962–1806) called themselves Kaiser, combining the imperial title with that of Roman King (assumed by the designated heir before the imperial coronation); they saw their rule as a continuation of that of the Roman Emperors and used the title derived from the title Caesar to reflect their supposed heritage.
Kaiser is a West German simulation strategy video game developed and published by Ariolasoft.
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Qeysar (Persian: Qeysar, "Caesar"), also written as Gheisar, Kaiser and Gheysar, is a 1969 film by acclaimed Iranian filmmaker Masoud Kimiai. The film was considered a "landmark in the Iranian cinema" and led to a new trend for brooding noir dramas in which outraged family honour is avenged.
Behrooz Vossoughi as the eponymous hero became a legendary actor in Iranian cinema.
A young woman, Fati, dies in a hospital. Her family is devastated when they discover her death was self-inflicted. She leaves a letter revealing her suicide is a result of being raped by Mansour Ab-Mangol—the brother of a friend who did nothing to stop it. Fati's older brother Farman, an ex street thug who now runs a butcher-shop, decides to confront Mansour. His uncle persuades him not to exact revenge; Farman struggles with his anger, and ultimately decides to give up his knife before confronting Mansour.
Farman's encounter with Mansour quickly degenerates into a fight, as Mansour's two younger brothers, Karim and Rahim, stand back and watch. Farman strangles Mansour, nearly killing the man. Rahim tells Karim to save their brother; Karim furiously stabs Farman, killing him. The three brothers dispose of Farman's body in a wasteland, planting the knife he was stabbed with next to him.
quisiera volver otra vez
aquelos dias cuando te ame
aquella vez cuando en mi cuarto me dijiste si
aquella vez q nunca olvidare
quisiera volverte a encontrar
por todo el mundo te voy a buscar
por favor vuelve y dame otra oprtunidad
para quererte igual q un tiempo atras
coro:
siempre te voy a recordar... lo sabes bien
nunca te voy a olvidar... lo sabes bien
por q tu has sido y siempre tu seras
la unica mujer q voy a amar
no te deje de extrañar... lo sabes bien
te tengo mucho para dar... lo sabes bien
por q tu has sido y siempre tu seras
la unica mujer q voy a amar...
la unica mujer q voy a amar...
la unica mujer... q voy a amar