Kaddish (poem)
"Kaddish" also known as "Kaddish for Naomi Ginsberg (1894–1956)" is a poem by Beat writer Allen Ginsberg about his mother Naomi and her death on June 9, 1956.
Background
Ginsberg began writing the poem in the Beat Hotel in Paris in December 1957 and completed in New York in 1959. The poem was published as the lead poem in the collection Kaddish and Other Poems (1961). It is often considered one of Ginsberg's finest poems, with some scholars holding that it is his best poem.
The Kaddish of the title refers to the mourner's prayer or blessing in Judaism. This long poem was Ginsberg's attempt to mourn his mother, Naomi, but also reflects his sense of loss at his estrangement from his born religion. The traditional Kaddish contains no references to death, whereas Ginsberg's poem is riddled with thoughts and questionings of death.
Stage version
Ginsberg wrote a screenplay based on the poem. Robert Frank was to direct it, but money could not be raised for the project. In 1972, Robert Kalfin readapted the screenplay for the stage and produced it at the Chelsea Theater Center in the Brooklyn Academy of Music. The play explored Naomi Ginsberg's schizophrenic collapse and made use of innovative video for flashback scenes.
Kaddish
Kaddish (קדיש, Qaddish Aramaic: "holy"; alternative spellings: qaddish, ḳaddish) is a hymn of praises to God found in the Jewish prayer service. The central theme of the Kaddish is the magnification and sanctification of God's name. In the liturgy different versions of the Kaddish are used functionally as separators between sections of the service.
The term "Kaddish" is often used to refer specifically to "The Mourner's Kaddish", said as part of the mourning rituals in Judaism in all prayer services, as well as at funerals (other than at the grave site – see below Kaddish ahar Hakk'vurah) and memorials. When mention is made of "saying Kaddish", this unambiguously refers to the rituals of mourning. Mourners say Kaddish to show that despite the loss they still praise God.
The opening words of this prayer are inspired by Ezekiel 38:23, a vision of God becoming great in the eyes of all the nations. The central line of the Kaddish in Jewish tradition is the congregation's response: יְהֵא שְׁמֵהּ רַבָּא מְבָרַךְ לְעָלַם וּלְעָלְמֵי עָלְמַיָּא (Yehei shmëh rabba mevarakh lealam ulalmey almaya, "May His great name be blessed for ever, and to all eternity"), a public declaration of God's greatness and eternality. This response is an Aramaic translation of the Hebrew "ברוך שם כבוד מלכותו לעולם ועד" (Blessed be His name, whose glorious kingdom is forever), which is to be found in the Jerusalem Targum (יְהֵא שְׁמֵיהּ רַבָּא מְבָרֵךְ לְעָלְמֵי עַלְמִין) (Genesis 49:2 and Deuteronomy 6:4), and is similar to the wording of Daniel 2:20.
Kaddish (disambiguation)
Kaddish is a Jewish prayer.
Kaddish may also refer to:
Literature
Film and TV
Music
Classical compositions
Albums
See also
Kaddish (The X-Files)
"Kaddish" is the fifteenth episode of the fourth season of the American science fiction television series The X-Files. It was written by producer Howard Gordon and directed by Kim Manners. The episode originally aired on the Fox network on February 16, 1997. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology, or overarching history. The episode received a Nielsen household rating 10.3 and was viewed by 16.56 million viewers. It received moderately positive reviews from critics.
The show centers on FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) who work on cases linked to the paranormal, called X-Files. In the episode, Isaac Luria (Harrison Coe), a Jewish man, is killed by a group of teenagers working for a racist shop owner. One of the assailants, however, is soon strangled to death and the fingerprints on his neck are Isaac's. Despite other factors, Mulder becomes convinced that a Golem is attempting to avenge Isaac's murder.
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