Kabel is a geometric sans-serif typeface designed by German typeface designer Rudolf Koch, and released by the Klingspor foundry in 1927. Today the typeface is licensed by the Elsner+Flake GbR foundry.
The face was not named after any specific cable, although the Zugspitze cable car had been completed in 1926, and a Berlin-Vienna facsimile telegraphy line opened in 1927. The name had techie cachet in its day (Piet Zwart's NKF kabel catalogue of 1927 is well-known) and is primarily metaphorical and allusive, a pun referring to both the monolinear construction of the face, and the role of type as a means of communication.
Like its contemporary Futura it bears influence of two earlier geometric sans-serif typefaces; the 1919 Feder Schrift, drawn by Jakob Erbar, and more so his 1922 design called Erbar. Still, Kabel is as much Expressionist as it is Modernist, and may be considered as a sans serif version of his 1922 Koch Antiqua, sharing many of its character shapes and proportions, most notably its peculiar 'g'. Stroke weights are more varied than most geometric sans-serifs, and the terminus of vertical strokes are cut to a near eight-degree angle. This has the effect of not quite sitting on the baseline and making for a more animated, less static feeling than Futura. Uppercase characters are broad and show influence of monumental roman capitals. The capital W has a superimposed, splayed structure similar to Garamond and the G has no terminal. Lowercase characters a, e, and g show a link with Carolingian script and Venetian old-style serif typefaces of the 15th century.
Kabel may refer to:
Miloslav Kabeláč (1 August 1908 – 17 September 1979) was a prominent Czech composer and conductor. Miloslav Kabeláč belongs to the foremost Czech symphonists, whose work is sometimes compared with Antonín Dvořák's and Bohuslav Martinů's. In the totalitarian period Kabeláč's work found itself on the periphery of official attention and was performed only sporadically and in a limited choice of compositions.
Kabeláč was born in Prague. In 1928–31 he studied at the Prague Conservatory as a pupil of Karel Boleslav Jirák, simultaneously (in 1930–31) he was a pupil of Alois Hába. In 1932–54 Kabeláč was employed by Prague Radio. From 1957 to 1968 he worked as a teacher at the Prague Conservatory. During his life Kabeláč was active in Umělecká beseda, in the Federation of Czechoslovak Composers and other organisations.
In the 1960s he tried to revive contacts with Western modern music and composers, but after the 1968 Soviet invasion of Czechoslovakia he was silenced. His works were performed only abroad from then on.
Kabel is a hamlet in the Dutch province of North Holland. It is a part of the municipality of Haarlemmermeer, and lies just southeast of Nieuw-Vennep and about 6 km southwest of Hoofddorp.
Kabel has a population of around 100.
In typography, a typeface (also known as font family) is a set of one or more fonts each composed of glyphs that share common design features. Each font of a typeface has a specific weight, style, condensation, width, slant, italicization, ornamentation, and designer or foundry (and formerly size, in metal fonts). For example, "ITC Garamond Bold Condensed Italic" means the bold, condensed-width, italic version of ITC Garamond. It is a different font from "ITC Garamond Condensed Italic" and "ITC Garamond Bold Condensed," but all are fonts within the same typeface, "ITC Garamond." ITC Garamond is a different typeface from "Adobe Garamond" or "Monotype Garamond." (These are all alternative updates or digitisations of the typeface Garamond, originally created in the 16th century.) There are thousands of different typefaces in existence, with new ones being developed constantly.
The art and craft of designing typefaces is called type design. Designers of typefaces are called type designers and are often employed by type foundries. In digital typography, type designers are sometimes also called font developers or font designers.
Spider-Man is a fictional superhero in the Marvel Universe debuting in the anthology comic book series issue Amazing Fantasy #15 (August 1962) in the Silver Age of Comics published by Marvel Comics. After his debut he would get his own comic book entitled The Amazing Spider-Man. The comic book series would introduce many of what would become his major supervillain adversaries. Spider-Man would then be popular enough for more Spider-Man comic spinoffs (The Spectacular Spider-Man, Marvel Team-Up, Web of Spider-Man, Peter Parker: Spider-Man etc.) which potentially introduced more recurring antagonists of the web-slinger.
As with Spider-Man, the theme behind the villains' powers originate with scientific accidents or the misuse of scientific technology and also tend to have animal-themed costumes or powers (Vulture, Doctor Octopus, Lizard, Rhino, Scorpion, Jackal and Black Cat). There also consists supervillains with the powers of the elements (Sandman, Electro, Molten Man and Hydro-Man), some that are horror-themed (the Goblins, Morbius, the Symbiotes and Morlun) and some that are crime lords (Kingpin, Hammerhead and Silvermane). His rogue also consisted of some that are masters of trickery and deception such as the Chameleon and Mysterio. These villains oftentimes form teams such as the Sinister Six and the Sinister Syndicate to oppose the superhero.
Typeface is an independent documentary film, produced by Kartemquin Films, about visual culture, technology and graphic design, centered on the Hamilton Wood Type and Printing Museum in Two Rivers, Wisconsin. Typeface the film focuses on a rural Midwestern museum and print shop where international artists meet retired craftsmen and together navigate the convergence of modern design and traditional technique. Directed by Justine Nagan, it was released in 2009 after two sold-out sneak previews at the Walker Art Center in Minneapolis, MN.
Its international premiere was at the Breda International Film Festival in The Netherlands. Since that time, the film has toured around the world for screenings in select theatres, museums, universities and film festivals, including the Yerba Buena Center for the Arts in San Francisco, The Alamo Drafthouse Cinema in Austin, a sold-out week run at the Gene Siskel Film Center in Chicago, and the Denver Art Museum in Denver. Musician Josh Ritter provided the film’s soundtrack. Typeface won “Best Documentary” at the Flyway Film Festival in October 2009. The film was a 2010 Regional Emmy (Chicago/Midwest Chapter of the Academy of Arts and Sciences) nominee for Best Documentary.