Kabel
Kabel may refer to:
Miloslav Kabeláč
Miloslav Kabeláč (1 August 1908 – 17 September 1979) was a prominent Czech composer and conductor. Miloslav Kabeláč belongs to the foremost Czech symphonists, whose work is sometimes compared with Antonín Dvořák's and Bohuslav Martinů's. In the totalitarian period Kabeláč's work found itself on the periphery of official attention and was performed only sporadically and in a limited choice of compositions.
Life
Kabeláč was born in Prague. In 1928–31 he studied at the Prague Conservatory as a pupil of Karel Boleslav Jirák, simultaneously (in 1930–31) he was a pupil of Alois Hába. In 1932–54 Kabeláč was employed by Prague Radio. From 1957 to 1968 he worked as a teacher at the Prague Conservatory. During his life Kabeláč was active in Umělecká beseda, in the Federation of Czechoslovak Composers and other organisations.
In the 1960s he tried to revive contacts with Western modern music and composers, but after the 1968 Soviet invasion of Czechoslovakia he was silenced. His works were performed only abroad from then on.
Kabel (typeface)
Kabel is a geometric sans-serif typeface designed by German typeface designer Rudolf Koch, and released by the Klingspor foundry in 1927. Today the typeface is licensed by the Elsner+Flake GbR foundry.
Design
The face was not named after any specific cable, although the Zugspitze cable car had been completed in 1926, and a Berlin-Vienna facsimile telegraphy line opened in 1927. The name had techie cachet in its day (Piet Zwart's NKF kabel catalogue of 1927 is well-known) and is primarily metaphorical and allusive, a pun referring to both the monolinear construction of the face, and the role of type as a means of communication.
Like its contemporary Futura it bears influence of two earlier geometric sans-serif typefaces; the 1919 Feder Schrift, drawn by Jakob Erbar, and more so his 1922 design called Erbar. Still, Kabel is as much Expressionist as it is Modernist, and may be considered as a sans serif version of his 1922 Koch Antiqua, sharing many of its character shapes and proportions, most notably its peculiar 'g'. Stroke weights are more varied than most geometric sans-serifs, and the terminus of vertical strokes are cut to a near eight-degree angle. This has the effect of not quite sitting on the baseline and making for a more animated, less static feeling than Futura. Uppercase characters are broad and show influence of monumental roman capitals. The capital W has a superimposed, splayed structure similar to Garamond and the G has no terminal. Lowercase characters a, e, and g show a link with Carolingian script and Venetian old-style serif typefaces of the 15th century.
Podcasts:
Kabel
ALBUMS
- Fakkelteitgroep, Volume 4 released: 2012
- I Love Kabel EP released: 2012
- Fakkelteitgroep, Volume 3 released: 2011
- Nieuwe moves released: 2011
- Fakkelteitgroep, Volume 2 released: 2010
Kabel
ALBUMS
Kabel
ALBUMS
- Ohrewürm 5 released: 2009
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The Daze Featzion I & Casual
by: GoapeleThese are the Daze my friend
We're so far from the end
But we can't wait forever and a day
Forever and a Day
One for your City
Two if you're prissy
Three for the raw real homie
Rollin' wit' me
Four's like the voice in my head
Getting dizzy
Five get it so live
The cops come & get me
Six for the politrix
Seven call the Reverend
Eight DNA certain way
You a felon
Nine feeling fine
Even when the sun shady
Ten that's a dime
Goapele do it crazy
If you miss me when I'm gone
Just know riding on a sky plain
You never know
I could be wrong
Sometimes I'm weak
When I feel strong
Push on
Be strong
Don't wait
Lean on
Sometimes
Pray on
Hold on
Because
These are the Daze
You gotta go for broke
I'm taking all my chances
And if you're scared of transit...
Run for cover
Light is fading
It's getting dark
The sun is fading
Oh they told me
Live today
Like your gonna live forever
Tomorrow paves the way
For the rest of your life
Even if we lose some along the way
It's not worth the hate
No time to hate
Black prophet
Still grandma collar poppin
Do anything for a twenty dollar profit
They push into yo kitchen til yo momma holla stop it
If it ain't first class
Then I'mma try the cockpit
Had some ups & downs
Been dumped around
It's nothing
''cause we ain't sufferin' now
For life we lusted
In God we trust
But now don't discuss it
We going for bust
Hold tight
It's not
Too late
Take it
Right now
It's in
Your hands
Because
These are the days we gotta go for broke
I'm taking all my chances
And if you're scared of transit...
Run for cover
Light is fading
Its getting dark
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