Kabarett (German pronunciation: [kabaˈʁɛt]; from French cabaret = tavern) is a form of cabaret which developed in France by Rodolphe Salis in 1881 as the cabaret artistique. It was named the Le Chat Noir and was centered around political events and satire. It later inspired creation of Kabarett venues in Germany from 1901, with the creation of Berlin's Überbrettl venue and in Austria with the creation of the Jung-Wiener Theater zum lieben Augustin housed in the Theater an der Wien. By the Weimar era in the mid-1920s it was characterized by political satire and gallows humor. It shared the characteristic atmosphere of intimacy with the French cabaret from which it was imported, but the gallows humor was a distinct German aspect.
Kabarett is the German word for the French word cabaret but has two different meanings. The first meaning is the same as in English, describing a form of entertainment featuring comedy, song, dance, and theatre (often the word "cabaret" is used in German for this as well to distinguish this form). The latter describes a kind of political satire. Unlike comedians who make fun of all kind of things, Kabarett artists (German: Kabarettisten) pride themselves as dedicated almost completely to political and social topics of more serious nature which they criticize using techniques like cynicism, sarcasm and irony.
[The Emcee plays a recording on a phonograph.]
[BOY SOPRANO]
The sun on the meadow is summery warm.
The stag in the forest runs free.
But gather together to greet the storm.
Tomorrow belongs to me.
The branch of the linden is leafy and green,
The Rhine gives its gold to the sea.
But somewhere a glory awaits unseen.
Tomorrow belongs to me.
The babe in his cradle is closing his eyes
The blossom embraces the bee.
But soon, says a whisper;
"Arise, arise,
Tomorrow belongs..."
[EMCEE (spoken)]