Irruppam Veedu Sasidaran, better known as I. V. Sasi, is an Indian film director who has made over 150 Indian films in various languages and genres. He is known for his South Indian films of the 1970s, 1980s, and 1990s, primarily Malayalam films, although he has directed Hindi films during the 1980s as well.
He is also the winner of J. C. Daniel Award for the year 2015.
I. V. Sasi is married to Malayalam actress Seema on 28 August 1980. met his wife, Malayalam actress Seema, on the sets of his film, Avalude Raavukkal. Ever since, she has been his favorite heroine. They have worked together in more than 30 movies. He has two children, daughter Anu and son Ani. Anu has acted in Symphony, directed by her father.Anu got married to Milan Nair on 10 December 2010. Ani was a student of Visual Communication at Loyola College, Chennai and is an aspiring director himself. I. V. Sasi lives with his family in Chennai.
I. V. Sasi started his film career as an art director. Later, after working as an assistant director in some films, he directed his first film at the age of 27. Though his name was not mentioned in the credits, the film turned out to be a huge success. He started his directorial career officially with his first film Ulsavam. Soon he carved out a name for himself in the Malayalam film industry. His films were known for their uniqueness and always contained a stamp of his directorial style. I. V. Sasi has directed more than 170 odd films over a span of 34 years and has constantly delivered super hits and some of them classified as classics or good cinema. His Malayalam film Avalude Raavukal permanently established his name in the industry. This film was later dubbed into many other Indian languages including Hindi. It was the second film in Malayalam to be rated as "Adults only" even though it was a family drama.
Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.
During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.
Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: