Beat or beats may refer to:
Beats is a rhythm-based video game for the Sony PlayStation Portable handheld gaming system. It was released in 2007 at the PlayStation Store.
In addition to downloading music from the Internet, users may also use their own music to play along to in the My Music Challenge mode. Beats automatically loads the track titles and artist names of the songs it finds on the user's PSP. However, the game will only read up to 127 tracks for the user to choose from. There is as yet no explanation from Sony for this limitation, nor is it obvious how the game determines which 127 tracks are loaded from the library. (What is known is that the game loads the same set of tracks from the user's /MUSIC directory each time.)
During the game, three stationary targets, or landing points, (just one in Novice mode) are spaced evenly at the center of the screen. Symbols appear from off the screen and glide towards these targets in rhythm with the music. The symbols represent notes that players are meant to synchronize their button presses to and are identified by the four PlayStation face buttons: circle, "x", square, and triangle. These notes are generated based on the rhythm of the music using a beat tracking algorithm. While often occurring on the beat, notes can also occur off the beat at times. Tracks with greater emphasis on rhythm, especially techno songs with a strong, well-defined beat or powerful bass lines, generate the best in-game beat patterns.
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the mensural level (or beat level). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, beat can refer to a variety of related concepts including: tempo, meter, specific rhythms, and groove.
Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications.
Metric levels faster than the beat level are division levels, and slower levels are multiple levels. See Meter (music)#Metric structure. Beat has always been an important part of music.
The downbeat is the first beat of the bar, i.e. number 1. The upbeat is the last beat in the previous bar which immediately precedes, and hence anticipates, the downbeat. Both terms correspond to the direction taken by the hand of a conductor.
Shellshock or shell shock may refer to:
Shellshock, in comics, may refer to:
Shellshock, also known as Bashdoor, is a family of security bugs in the widely used Unix Bash shell, the first of which was disclosed on 24 September 2014. Many Internet-facing services, such as some web server deployments, use Bash to process certain requests, allowing an attacker to cause vulnerable versions of Bash to execute arbitrary commands. This can allow an attacker to gain unauthorized access to a computer system.
Stéphane Chazelas contacted Bash's maintainer, Chet Ramey, on 12 September 2014 telling Ramey about his discovery of the original bug, which he called "Bashdoor". Working together with security experts, he soon had a patch as well. The bug was assigned the CVE identifier CVE-2014-6271. It was announced to the public on 24 September 2014 when Bash updates with the fix were ready for distribution.
The first bug causes Bash to unintentionally execute commands when the commands are concatenated to the end of function definitions stored in the values of environment variables. Within days of the publication of this, intense scrutiny of the underlying design flaws discovered a variety of related vulnerabilities, (CVE-2014-6277, CVE-2014-6278, CVE-2014-7169, CVE-2014-7186, and CVE-2014-7187); which Ramey addressed with a series of further patches.
Jī (Hindi: जी, Urdu: جی, IAST: jī, IPA: [dʒiː]) is an honorific used as a suffix in Hindustani and many other languages of the Indian subcontinent.
Its usage is similar, but not identical, to another subcontinental honorific, sāhab. Similar to the Japanese honorific -san, ji is gender-neutral and can be used for as a term of respect for inanimate objects as well.
The origin of the ji honorific is uncertain. One suggestion is that it is a borrowing from an Austroasiatic language such as Sora. Another is that the term means 'soul' or 'life' (similar to the jān suffix) and is derived from Sanskrit.
Ji can mean respect: