'Kap or KAP may refer to:
Kapò (Italian pronunciation: [kaˈpɔ]) is a 1960 Italian film about the Holocaust directed by Gillo Pontecorvo. It was nominated for the Academy Award as Best Foreign Language Film. It was an Italian-French co-production filmed in Yugoslavia.
Naive fourteen-year-old Edith (Susan Strasberg) and her Jewish parents are sent to a concentration camp, where the latter are killed. Sofia (Didi Perego), an older, political prisoner, and a kindly camp doctor save her from a similar fate by giving her a new, non-Jewish identity, that of the newly dead Nichole Niepas.
As time goes by, she becomes more hardened to the brutal life. She first sells her body to a German guard in return for food. She becomes fond of another guard, Karl (Gianni Garko). The fraternization helps her become a kapo, one of those put in charge of the other prisoners. She thrives while the idealistic Sofia grows steadily weaker.
When she falls in love with Sascha (Laurent Terzieff), a Russian prisoner of war, Edith is persuaded to play a crucial role in a mass escape, turning off the power. Most of the would-be escapees are killed, but some get away. Edith is not one of them. As she lies dying, she tells Karl, "They screwed us over, Karl, they screwed us both over." She dies saying the traditional prayer Shema Yisrael, to feel again her real identity.
Poetry has been featured extensively in Thai literature, and constituted the near-exclusive majority of literary works up to the early Rattanakosin period (early 19th century). It consists of five main forms, known as khlong, chan, kap, klon and rai; some of these developed indigenously while others were borrowed from other languages. Thai poetry dates to the Sukhothai period (13th–14th centuries) and flourished under Ayutthaya (14th–18th centuries), during which it developed into its current forms. Though many works were lost to the Burmese conquest of Ayutthaya in 1767, sponsorship by subsequent kings helped revive the art, with new works created by many great poets, including Sunthorn Phu (1786–1855). Prose writing as a literary form was introduced as a Western import during the reign of King Mongkut (1851–68) and gradually gained popularity, though poetry saw a revival during the reign of King Vajiravudh (1910–25), who authored and sponsored both traditional poetry and the newer literary forms. Poetry's popularity as a mainstream form of literature gradually declined afterwards, although it is still written and read, and is regularly employed ceremonially.
Eyes like little dreams
Come true
We are all
Treading waters
Especially in the new
Europa!
With all its satellites
We'll see
The blossoming of the Judas tree
Any colour infidelity
That weeping wound
That's hard to see
From my circle I'll never stray
Or follow clay feet of yesterday
To broken circles
Well left behind
Those foreign hands
On foreign times
And, in their wake
I'll disagree
To cast my own nativity
With all its satellites
We'll see
The blossoming of the Judas tree
Any colour infidelity
That weeping wound
That's hard to see
For misjudged moments
Of misjudged times
Are for misjudged lives
That misjudged mine
Our dreams
Our dreams they never go
To devils above
And grey rainbows
Spilt seed on stony ground
The only sperm
That ants surround
My hands
My wounds
And, nothing else
I smell traitor
Time the divider