Jōkyū

Jōkyū (承久), also called Shōkyū, was a Japanese era name (年号, nengō, lit. year name) after Kempō and before Jōō. This period spanned the years from April 1219 through April 1222. The reigning emperor was Juntoku-tennō (順徳天皇).

Change of era

  • 1219 Jōkyū gannen (承久元年): The new era name was created because the previous era ended and a new one commenced in Kempo 3, on the 6th day of the 12th month of 1213.
  • Events of the Jōkyū era

  • February 12, 1219 (Jōkyū 1, 26th day of the 1st month): Shogun Sanetomo was assassinated on the steps of Tsurugaoka Hachiman-gū in Kamakura. The 40 years during which Minamoto no Yoritomo, Minamoto no Yoriie and Minamoto no Sanetomo were successive heads of the Kamakura shogunate was sometimes called "the period of the three shoguns." A new shogun was not to be named for several years during which the Kamakura bureaucracy nevertheless continued to function without interruption.
  • 1220 (Jōkyū 2, 2nd month): The emperor visited the Iwashimizu Shrine and the Kamo Shrines.
  • Jōkyō

    Jōkyō (貞享) was a Japanese era name (年号, nengō,, lit. "year name") after Tenna and before Genroku. This period spanned the years from February 1684 through September 1688. The reigning emperors were Reigen-tennō (霊元天皇) and Higashiyama-tennō (東山天皇).

    Change of era

  • 1684 Jōkyō gannen (貞享元年): The new era of Jōkyō (meaning "Taking Righteousness") was created to mark the start of a new cycle of the Chinese zodiac. The previous era ended and the new one commenced in Tenna 4, on the 21st day of the 2nd month.
  • Subsequently, the power to create a calendar shifted to the shogunate and the authority of the Imperial calendar was diminished after 1684. In that year, the astrology bureau of the Tokugawa bakufu created a "Japanese" calendar which was independent of Chinese almanacs.

    Events of the Jōkyō era

  • 1684 (Jōkyō 1): A fire burned the Kyoto Imperial Palace to ashes. The reconstruction took a year.
  • 1684 (Jōkyō 1): Having met with success in Osaka's kabuki theater, Chikamatsu Monzaemon began to write plays for the kabuki audience in Heian-kyō. In part, his success stemmed from the way his work would sometimes mirror current happenings and contemporary urban characters.
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