Jyothi (1976 film)
Jyothi (Telugu: జ్యోతి) is a 1976 Telugu film directed by K. Raghavendra Rao. It is based on the story of an innocent girl "Jyothi." Jayasudha won the Nandi award as Best Actress for her performance in the title role. She later credited the film's success for making her a famous actress in Telugu films. It is a remake of the Hindi film Mili (1975) starring Jaya Bhaduri. though the storyline is completely different from the original except for the heroine suffering from a deadly disease.
Plot
Jyothi (Jayasudha), a teenage girl who is in love with Ravi (Murali Mohan), suddenly marries Rajayya (Gummadi Venkateswara Rao), an old man who is about her father's age. Everyone thinks she married him for the old man's property that she inherits after the marriage, but truth is different. The secret behind this unexpected marriage forms the rest of the gripping family story.
Cast
Jyoti (1981 film)
Jyothi (English: Light) is a 1981 Bollywood, drama film produced & directed by Pramod Chakravarty on Pramod Films banner. Starring Jeetendra, Hema Malini in the lead roles and music composed by Bappi Lahiri. The film is a remake of Telugu Movie Ardhangi (1955), starring Akkineni Nageswara Rao, Savitri in pivotal roles.
Plot
Niranjan Pratap Singh is the stepson of a Zamindar and real son of Ranimaa Sunanda. He is also the sole heir to the property of the Zamindar, as his elder stepbrother, Govind is drug-induced to the point of senility. When Gauri opposes Niranjan's ruthlessness against fellow-villagers, the Zamindar, angered by her intrusion, complains to her dad, Vedji. The Zamindar's anger is subdued when he actually speaks to Gauri, and ends up admiring her and asking her hand in marriage for his son, Niranjan. But Sunanda will not hear of her son marrying a poor villager's daughter, and she convinces him that Gauri should get married to Govind. Although her father is opposed to his daughter marrying a senile man, Gauri accepts Govind, and marries him. She finds out that she and Govind have no status in the household, which is run on the whims and fancies of Sunanda, her maid, Chintamani, and Niranjan. Niranjan is misguided by a dancer, Mallika and Amirchand who are after his wealth. Gauri must now decide to have her own life or be chained to a senile half-child half-man.
Jyothi (album)
Jyothi is an album by American jazz alto saxophonist Charlie Mariano and The Karnataka College of Percussion featuring R. A. Ramamani recorded in 1983 and released on the ECM label.
Reception
The Allmusic review by Ron Wynn awarded the album 3 stars stating "Mariano wails, winds, and experiments with Karnataka College of Percussionists".
Track listing
Personnel
References
Film (Iranian magazine)
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
References
External links
Film (film)
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
Lubrication theory
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.
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