Justine (1969 film)

Justine (1969) is a drama film directed by George Cukor and Joseph Strick. It was written by Lawrence B. Marcus and Andrew Sarris, based on the 1957 novel Justine by Lawrence Durrell.

Plot

Set in Alexandria in 1938, a young British schoolmaster named Darley meets Pursewarden, a British consular officer. Pursewarden introduces him to Justine, the wife of an Egyptian banker. Darley befriends her, and discovers she is involved in a plot against the British, the goal of which is to arm the Jewish underground movement in Palestine.

Cast

Production

This film was originally put together by director Joseph Strick, who intended to do the movie in Morocco. He did some location shooting there, then got into fights with the executives at Fox and with star Anouk Aimee. When he did not hire others for the film as ordered by the studio and slept on the set while working on one of Aimee's scenes, they fired him and George Cukor was brought in. He proceeded to bring the film to Hollywood where the remainder of the film was finished. It became a financial flop and received critical reviews.

Justine (Sade novel)

Justine (or The Misfortunes of Virtue, or several other titles: see below) is a 1791 novel by Donatien Alphonse François de Sade, better known as the Marquis de Sade. There is no standard edition of this text in hardcover, having passed into the public domain. The text itself is often incorporated into collections of Sade's work.

Justine is set just before the French Revolution in France and tells the story of a young woman who goes under the name of Therese. Her story is recounted to Madame de Lorsagne while defending herself for her crimes, en route to punishment and death. She explains the series of misfortunes which have led her to be in her present situation.

History of the work

Justine (original French title: Les infortunes de la vertu) was an early work by the Marquis de Sade, written in two weeks in 1787 while imprisoned in the Bastille. It is a novella (187 pages) with relatively little of the obscenity which characterized his later writing, as it was written in the classical style (which was fashionable at the time), with much verbose and metaphorical description.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.