Hold Me may refer to:
"Hold Me" is a single by American pop singer Laura Branigan, released as the second single from her 1985 album Hold Me. The song was written by the married couple American singer/songwriter Beth Andersen and American producer/musician Bill Bodine.
Following the success of the previous single "Spanish Eddie" peaked at #40 in America, "Hold Me" followed as the next single. It was not as successful, only managing to peak at #82 in America and #39 on the American Dance/Club Play Songs Chart.
The single was released on both 7" and 12" vinyl in America and on 7" vinyl in Japan only. The single did not get a European release.
The single's b-side was the track "Tenderness" which was featured on the same album, written by German producer/composer Jack White, Branigan and American songwriter/producer Mark Spiro. This track had already been b-side to the previous single "Spanish Eddie". On the Japanese 7" vinyl, the b-side was the track "When the Heat Hits the Streets" which was also featured on the same album, written by Cappy Capossela and Linda Schreyer.
"Hold Me" is a song written and recorded by American country music artist K. T. Oslin. It was released in September 1988 as the second single from her album This Woman. "Hold Me" was K. T. Oslin's third number one on the country chart. The single went to number one for one week and spent a total of fourteen weeks on the country chart.
Boris may refer to:
Boris is the original EP recorded by Yezda Urfa to gather attention from record companies. Three of the pieces were reworked on Sacred Baboon (To-Ta in the Moya, Boris and his 3 Verses (including "Flow Guides Aren't My Bag"), and 3, Almost 4, 6 Yea). The album is now a rare find in the progressive rock circles
Length with bonus track: 52:35
Brad Christoff :percussion, all sorts
Phil Kimbrough: keyboards, synthesizers, mandolin, wind instruments
Mark Tippins: guitars, banjo, vocals
Marc Miller: bass
Rick Rodenbaugh: vocals
Boris Titulaer is a contemporary soul singer-songwriter from the Netherlands. Previously known as Boris in his native Netherlands, he adopted the stage name Bo Saris (his mother's maiden name) in 2012.
Titulaer was born in Venlo, Netherlands. He currently resides in London, England. He was the winner of the second edition of the Dutch talent show Idols. Following a series of successful albums in the Netherlands, Titulaer moved to London.
His first release under the moniker Bo Saris, She's On Fire, peaked at number 5 in the Dutch Alternative Music charts in August 2012. The EP release included remixes by house music producer Maya Jane Coles and drum and bass producer Calibre. Both had a limited vinyl release.
He is also featured on the Chase & Status song "Breathing" from their 2013 album Brand New Machine.
As "Bo Saris", Titulaer is signed to DERAM Records, a division of Universal Music Group, and has released two EPs - The Addict and Little Bit More - Remixes. His latest album, GOLD, was released in May 2014.
A fermata [ferˈmaːta] (also known as a hold, pause, colloquially a birdseye or cyclops eye, or as a grand pause when placed on a note or a rest) is a symbol of musical notation indicating that the note should be prolonged beyond its normal duration or note value would indicate. Exactly how much longer it is held is up to the discretion of the performer or conductor, but twice as long is not unusual. It is usually printed above, but occasionally below (upside down), the note that is to be held longer.
When a fermata is placed over a bar or double-bar, it is used to indicate the end of a phrase or section of a work. In a concerto, it indicates the point where the soloist is to play a cadenza.
A fermata can occur at the end of a piece (or movement), or it can occur in the middle of a piece, and be followed by either a brief rest or more notes.
Other names for a fermata are corona (Italian), point d'orgue (French), Fermate (German), and calderón (Spanish).
This symbol appears as early as the 15th century, and is quite common in the works of Dufay and Josquin.
Comfortable as I am
I need your reassurance
And comfortable as you are
You count the days
But if I wanted silence
I would whisper
And if I wanted loneliness
I'd choose to go
And if I like rejection
I'd audition
And if I didn't love you
You would know
And why can't you just hold me?
And how come it is so hard?
And do you like to see me broken?
And why do I still care, still care?
You say you see the light now
At the end of this narrow hall
I wish it didn't matter
I wish I didn't give you all
But if I wanted silence
I would whisper
And if I wanted loneliness
I'd choose to go
And if I like rejection
I'd audition
And if I didn't love you
You would know
And why can't you just hold me?
And how come it is so hard?
And do you like to see me broken?
And why do I still care?
Poor little misunderstood baby
No one likes a sad face
But I can't remember life without him
I think I did have good days
I think I did have good days
And why can't you just hold me?
And how come it is so hard?
And do you like to see me broken?
And why do I still care?