An abrasive is a material, often a mineral, that is used to shape or finish a workpiece through rubbing which leads to part of the workpiece being worn away. While finishing a material often means polishing it to gain a smooth, reflective surface, the process can also involve roughening as in satin, matte or beaded finishes.
Abrasives are extremely commonplace and are used very extensively in a wide variety of industrial, domestic, and technological applications. This gives rise to a large variation in the physical and chemical composition of abrasives as well as the shape of the abrasive. Common uses for abrasives include grinding, polishing, buffing, honing, cutting, drilling, sharpening, lapping, and sanding (see abrasive machining). (For simplicity, "mineral" in this article will be used loosely to refer to both minerals and mineral-like substances whether man-made or not.)
Files are not abrasives. They remove material not by scratching or rubbing, but by the cutting action of sharp teeth which have been cut into the surface of the file, very much like those of a saw. However, diamond files are a form of coated abrasive (as they are metal rods coated with diamond powder).
Abrasive is the debut studio album by Puddle of Mudd, released in 1997 on Hardknocks Records. The album is extremely rare as it was an independent release with limited distribution. The band had said that if they ever get the chance, they would like to re-release this album. As of 2014 the album has still not been reissued.
The tracks "Nobody Told Me", "Said", "Piss It All Away", and "Abrasive" were all rerecorded for Puddle Of Mudd's following album, Come Clean, but only the first three made it on most copies of the album. Some limited editions of Come Clean had "Abrasive" as a bonus track. The rerecorded version of "Abrasive" only appeared on a promo, but the Abrasive album version was included on the "Control" single and the special editions of Come Clean. The Abrasive version of "All I Ask For" also appeared as a B Side to "Blurry"
With regard to biology, flesh is the soft substance of the body of a living thing. In a human or other animal body, this consists of muscle and fat; for vertebrates, this especially includes muscle tissue (skeletal muscle), as opposed to bones and viscera. Animal flesh may be used as food, in which case it is commonly called meat. In plants, "flesh" is similarly used to refer to the soft tissue, particularly where this is the edible part of fruits and vegetables.
Human and non-human animal flesh are culturally significant. In May 2012, the government of South Korea seized thousands of smuggled capsules from Northeastern China filled with powdered human flesh which were manufactured by ethnic Korean citizens of China who intended to consume the capsules or distribute them to other ethnic Korean citizens of China living in South Korea, as part of a crackdown on the consumption of powdered human flesh as a form of folk medicine.
Flesh is the second studio album by David Gray, initially released in September 1994, and re-released along with Gray's debut album A Century Ends on July 2, 2001. In the United States, the album featured a photo of a storefront's window display as its album cover.
All songs written and composed by David Gray.
Flesh (alternate title: Andy Warhol's Flesh) is a 1968 film directed by American filmmaker Paul Morrissey.
Flesh is the first film of the "Paul Morrissey Trilogy" produced by Andy Warhol. The other films in the trilogy include Trash and Heat. All three have gained a cult following and are noted examples of the ideals and ideology of the time period.
The film stars Joe Dallesandro as a hustler working on the streets of New York City. The movie highlights various Warhol superstars, in addition to being the film debuts of both Jackie Curtis and Candy Darling. Also appearing are Geraldine Smith as Joe's wife and Patti D'Arbanville as her lover.
As the film begins, Geraldine ejects Joe from their bed and insists he go out on the streets to make some money for her girlfriend's abortion. This leads to Joe's various encounters with clients, including an artist who wishes to draw Joe, played by Maurice Bradell, Louis Waldron as a gymnast, and John Christian.
Scenes filmed on the streets of New York City show Joe spending time with other hustlers, one of which is played by his real life brother, and teaching the tricks of the trade to the new hustler, played by Barry Brown. The film includes a scene of Joe interacting with his real life one-year-old son. Flesh concludes with Joe in bed with Geraldine Smith and Patti D'Arbanville. The women strip Joe and begin to get intimate with each other. In turn, Joe gets bored and falls asleep.
Once upon a time -
I thought that I'd go far -
Pictured myself -
Getting blowed in a company car -
But now those days are over -
And the well is dry -
I sit around getting high -
Contemplating suicide -
And now some people wonder -
What's the matter with me -
Why I've started wearing diapers -
At the age of 23 -
Because -
Tonight those days are over -
And the well is dry -
I'd go for the meat and potatoes -
But I ain't got the time -
So come on baby - spank my ass -
C'mon - It's just flesh, just flesh -
Penetrate me with broken glass -
C'mon - It's just flesh, just flesh -
Baby make it hurt - baby make it last -
C'mon - It's just flesh, just flesh -
It's just flesh - and nothing else -
Let's face the facts -
My fate is sealed -
Leather straps tight around my flesh -
Down on my hands and knees -
Now I face the final curtain -
I guess I had to learn -
Every inch of flesh is hurting -
Feel my ass - it burns! -
So come on baby - stomp my face -
C'mon - It's just flesh, just flesh -
Feces war in a sexual haze -
C'mon - It's just flesh, just flesh -
Come on baby - spank my ass -
C'mon - It's just flesh, just flesh -
Penetrate me with broken glass -
C'mon - It's just flesh, just flesh -
Baby make it hurt - baby make it last -
C'mon - It's just flesh, just flesh -
Satan laughing spreads his wings -
It's just flesh, just flesh -
It's just flesh, just flesh -