Junk (JUNK 死霊狩り Junk Shiryōgari) is a Japanese Yakuza Zombie movie directed by Atsushi Muroga. Shot in 1999 and produced by Japan Home Video, it is essentially a remake of a Japanese mafia movie called "Score" also directed by Muroga, but this time with zombies getting in the way of being paid for the heist. The movie pays homage to Re-Animator, Reservoir Dogs (just as "Score" did), and the original Dawn of the Dead. It stars Kaori Shimamura, Yuji Kisimoto, Nobuyuki Asano, Tate Gouta, and Osamu Ebara. It is released in North America by Unearthed Films.
Junk, known as Smack in the U.S., is a realistic novel for young adults by the British author Melvin Burgess, published in 1996 by Andersen in the U.K. Set on the streets of Bristol, England, it features two runaway teens who join a group of squatters, where they fall into heroin addiction and embrace anarchism. Both critically and commercially it is the best received of Burgess' novels. Yet it was unusually controversial at first, criticized negatively for its "how-to" aspect, or its dark realism, or its moral relativism.
Burgess won the annual Carnegie Medal from the Library Association, recognising the year's outstanding children's book by a British author. For the 70th anniversary of the Medal in 2007 Junk was named one of the top ten winning works, selected by a panel to compose the ballot for a public election of the all-time favourite.Junk also won the Guardian Children's Fiction Prize, a similar award that authors may not win twice. It is the latest of six books to win both awards.
"Junk" is a song written by Paul McCartney in 1968 while the Beatles were in India. "Singalong Junk" is an instrumental version of "Junk" that also appears on McCartney.
It was originally under consideration for The Beatles (also known as the White Album). It was passed over for that LP, as it was for Abbey Road. It was eventually released on McCartney's debut solo album McCartney in 1970. The version McCartney played for the rest of the Beatles, in May 1968, was among other songs demoed at George Harrison's Kinfauns home before the recording of The Beatles, and was released on Anthology 3 on 22 October 1996. The song's working title was "Jubilee", and also known as "Junk in the Yard". Take one appeared on the McCartney album as "Singalong Junk" and whereas take two was issued as "Junk".
Besides the exclusion of vocals, "Singalong Junk" features mellotron strings and the melody is played on a piano. The song also features more prominent drums. This version of the song is said to have been the original instrumental backing to which McCartney was planning on singing, but he opted for a simpler arrangement for the vocal version instead.
This article describes a discography, released by Russian alternative rock band Jane Air. It includes 6 studio albums, 10 singles and 20 music videos.
Junk (also known as Jazz-funk) is a single released by Jane Air in 2003, as well as the eponymous song that first appeared in the album Pull Ya? Let It Doll Go! (2002). The song has music video and movie. The main idea of the song is the harm of using drugs by young people (presented in satirical form). In 2005 Jane Air was awarded for the song «Junk» with the prize RAMP ("Russian Alternative Music Prize") established by A-One channel, in the category «Song of the year».
The lyrics of the song have been written already in 2000.
The video was shot in 2003 directed by "Deviant creations". At the beginning is shown a child with his mother playing with a red ball. Than in video appears frontman of the band - Anton Lisow, who is playing a role of drug addict. Also in the video are present two guys smoking at the stairs (symbolise smoke addtiction), big company of people at the party (symbol of drunkenness and alcohol addiction), the woman (who is infected with AIDS and gonorrhea) and also at the chorus appear all members of Jane Air, who are playing in the room and then in the garage. At the end of the song another member of the band is lying in the yard (dead from an overdose of drugs).
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.