Set (music)

A set (pitch set, pitch-class set, set class, set form, set genus, pitch collection) in music theory, as in mathematics and general parlance, is a collection of objects. In musical contexts the term is traditionally applied most often to collections of pitches or pitch-classes, but theorists have extended its use to other types of musical entities, so that one may speak of sets of durations or timbres, for example.

A set by itself does not necessarily possess any additional structure, such as an ordering. Nevertheless, it is often musically important to consider sets that are equipped with an order relation (called segments); in such contexts, bare sets are often referred to as "unordered", for the sake of emphasis.

Two-element sets are called dyads, three-element sets trichords (occasionally "triads", though this is easily confused with the traditional meaning of the word triad). Sets of higher cardinalities are called tetrachords (or tetrads), pentachords (or pentads), hexachords (or hexads), heptachords (heptads or, sometimes, mixing Latin and Greek roots, "septachords"—e.g.,), octachords (octads), nonachords (nonads), decachords (decads), undecachords, and, finally, the dodecachord.

Set construction

Set construction is the process by which a construction manager undertakes to build full scale scenery suitable for viewing by camera, as specified by a production designer or art director working in collaboration with the director of a production to create a set for a theatrical, film or television production. The set designer produces a scale model, scale drawings, paint elevations (a scale painting supplied to the scenic painter of each element that requires painting), and research about props, textures, and so on. Scale drawings typically include a groundplan, elevation, and section of the complete set, as well as more detailed drawings of individual scenic elements which, in theatrical productions, may be static, flown, or built onto scenery wagons. Models and paint elevations are frequently hand-produced, though in recent years, many Production Designers and most commercial theatres have begun producing scale drawings with the aid of computer drafting programs such as AutoCAD or Vectorworks.

Associative containers

In computing, associative containers refer to a group of class templates in the standard library of the C++ programming language that implement ordered associative arrays. Being templates, they can be used to store arbitrary elements, such as integers or custom classes. The following containers are defined in the current revision of the C++ standard: set, map, multiset, multimap. Each of these containers differ only on constraints placed on their elements.

The associative containers are similar to the unordered associative containers in C++ standard library, the only difference is that the unordered associative containers, as their name implies, do not order their elements.

Design

Characteristics

Julia (Venezuelan telenovela)

Julia is a 1983 Venezuelan telenovela produced by Venevisión. The telenovela was written by Humberto "Kiko" Olivieri and starred Hilda Carrero and Eduardo Serrano as the main protagonists.

In 2010, Telemundo produced a remake titled El fantasma de Elena.

Plot

Eduardo suffers an accident on his yacht and is found on a beach by Julia, a beautiful and humble girl who lives near the beach off the Venezuelan coast. Julia takes the stranger to her house where she lives with her father and a profound love develops between them. At first glance, her father notices the differences between the two. Eduardo convinces Julia they get married and move to the city since they have already made love. Eduardo is a wealthy widower and takes Julia to his mansion in Caracas. His family treats her harshly, especially Eduardo's sister Rebecca who sees her as an opportunist.

In the mansion, Julia is captivated by a large painting of a beautiful woman which hangs in a most privileged place in the house. She later learns the picture is that of Eduardo's first wife also called Julia who committed suicide a year ago by throwing herself from the top floor window of the mansion. From that moment on, everyone begins to compare her with the deceased, especially Benjamín, Eduardo's young nephew. Julia begins to notice strange things and secrets in the Uzcátegui family such as strange noises from the walls, people disappearing, unexplained murders and illicit relations. Everyone believes this is caused by Julia's ghost, as several family members and the servants claim to have seen her ghost. Also, a rumor begins that Eduardo murdered his wife.

Romansh language

Romansh (also spelled Romansch, Rumantsch, or Romanche; Romansh:  rumantsch , rumàntsch,  romauntsch  or  romontsch ) is a Romance language spoken predominantly in the southeastern Swiss canton of Grisons (Graubünden), where it has official status alongside German and Italian and is used as the medium of instruction in schools in Romansh-speaking areas. Romansh has also been recognized as a national language of Switzerland since 1938 and as an official language along with German, French and Italian since 1996. It is sometimes grouped with Ladin and Friulian as a Rhaeto-Romance language, though this is disputed.

Romansh is a descendant of the spoken Latin language of the Roman Empire, which by the 5th century AD replaced the Celtic and Raetic languages previously spoken in the area, although Romansh retains a small number of words from these languages. Romansh has also been heavily influenced by German in vocabulary and morphosyntax. The language gradually retreated to its current area over the centuries, being replaced by Alemannic and Bavarian dialects. The earliest writing identified as Romansh dates from the 10th or 11th century, although major works do not appear until the 16th century when several regional written varieties began to develop. The 19th century saw a further shrinkage of the language area but also a literary revival and the start of a language movement dedicated to halting the decline of the language.

List of Ultima characters

This is a list of significant or recurring characters in the Ultima series of computer games, indicating the games in which they appeared.

The Avatar and his companions

The Avatar

The Avatar is the main character in the series. The Avatar is first known as the Stranger from another world, who defeats Mondain, Minax, and their spawn, Exodus. The Stranger becomes the Avatar once his goal changes to following the path of the Virtues, and retrieving the Codex of Ultimate Wisdom from the Great Stygian Abyss. This is noted as one of the first uses of "Avatar" in the virtual context. In the fifth episode, the Avatar defeats a repressive regime over Britannia, and in the sixth he brings peace between men and gargoyles. In the first part of the seventh episode, the Avatar infiltrates the Fellowship in order to stop the Guardian from entering Britannia; in the second part, the Avatar prevents imbalance from destroying the universe and receives the title of the Hierophant of Balance. In the eighth episode, the Avatar escapes the world of Pagan by defeating the four Titans, becoming the Titan of Ether. In the ninth and final episode, the Avatar defeats the Guardian by destroying both himself and the Guardian with the Armageddon spell. The Avatar is also the main character in both Ultima Underworld games.