Judy Clay (September 12, 1938 – July 19, 2001) was an American soul and gospel singer, who achieved greatest success as a member of two recording duos in the 1960s.
Born Judith Grace Guions, in St. Pauls, North Carolina, she was raised by her grandmother in Fayetteville and began singing in church. After moving to Brooklyn in the early 1950s, she was taken in by Lee Drinkard Warrick of The Drinkard Singers. From the age of 14, she became a regular performer with the family gospel group, which had originally been formed in Savannah, Georgia, around 1938, and which also at times included Lee Warrick's sister Emily (later known as Cissy Houston) and daughters Dionne and Delia (later better known as Dionne and Dee Dee Warwick). Clay made her recorded debut with the Drinkard Singers - who later became better known as The Sweet Inspirations - on their 1954 album, The Newport Spiritual Stars.
She left the Drinkard Singers in 1960 and made her first solo recording, "More Than You Know", on Ember Records. This was followed by further singles on several record labels, but with little commercial success, although "You Busted My Mind" later became successful on the UK's Northern soul club circuit. In 1967, Jerry Wexler of Atlantic Records teamed her up with white singer-songwriter Billy Vera to make the United States' first racially integrated duo, and The Sweet Inspirations, to record "Storybook Children". The record made #20 on the US R&B chart and #54 pop. It was seen as the first interracial duo recording for a major label However, Vera has stated that television executives denied them appearances together, believing (wrongly) that Vera and Clay were more than just singing partners, and, to add insult to injury, had the song performed on network TV by Nancy Sinatra and Lee Hazlewood.
It's hard to find a reason
To keep standing in the rain
I owe it to my heart to try again
Now I'm standing on the corner
In a town that's hard to face
'Cause it feels like I'm drifting
Through outer space
So was it in, was it out
Tell me what it's all about
Problems that appear so tall
Turn out to be so small
When you're left with nothing at all
I wanna wake up in the morning
Above these lonely streets
And feel you lying next to me
So was it black, was it white
Tell me, is it day or night
Problems that appear so tall
Turn out to be so small
Compared to nothing at all
So many people can tell you what's true
And the more that you listen
The more that we lose
You can feel it disappear
Was it in, was it out
Tell me what it's all about
Problems that appeared so tall
Turned out to be so small
Compared to nothing at all