Juana Lumerman (1905–1982, Buenos Aires, Argentina) was a visual artist who painted in both figurative and abstract styles.
Lumerman graduated with a degree in painting in 1935 from the National Academy of Fine Arts in Buenos Aires. Lumerman studied there with European trained teachers including Aquiles Badi known for his Constructivist and metaphysical tendencies and Emilio Centurion known for his command of volumes and form, as well as with Carlos Ripamonte a painter of an earlier generation known for his work in an Impressionist vein.
In 1936, Lumerman won first prize in the VI Feminine Salon of Fine Arts in Buenos Aires. In a 1993 essay, art historian Cesar Magrini evokes the period and describes Lumerman as "...a pioneer and an explorer of new paths. Those were years when one could count on the fingers of one hand those women who were permitted to paint, model or sculpt without its being considered a perversion."
By the early 1940s, Juana Lumerman was showing her painting in Buenos Aires with a mixed group of her accomplished peers. In 1941, The Museum of Art in Los Angeles invited several Argentine artists to represent their country in a US exhibition; the group included Lino Enea Spilimbergo, Raquel Forner, Ramón Gomez Cornet, Antonio Berni, Emilio Pettoruti and Juana Lumerman.