John R. Hubbard

John Randolph "Jack" Hubbard (December 3, 1918 – August 21, 2011) was the eighth president of the University of Southern California (USC) between 1970 and 1980. He succeeded Norman Topping and was succeeded by James Zumberge. He had served as USC vice president and provost in 1969 after spending four years in India as chief education adviser to the U.S. Agency for International Development. After USC, he served as the United States Ambassador to India from 1988 to 1989.

In 1970, USC became a member of the Association of American Universities. Between 1970 and 1980, USC rose from 33 to 19 in National Science Foundation federal research rankings and applications rose from 4,100 to more than 11,000. Hubbard's Toward Century II campaign, started in 1976, raised more than $306 million. Hubbard continued to teach history during his term as president and afterward, until shortly before his death. Hubbard served on the USC Board of Trustees. USC's Student Services building was renamed John Hubbard Hall in September 2003. Late in life, he taught two undergraduate seminars at USC, entitled "British Empire From the Mid-19th Century" and "The Era of the First World War".

John R.

John R. (born John Richbourg, August 20, 1910, Manning, South Carolina; died February 15, 1986, Nashville, Tennessee) was an American radio disc jockey who attained fame in the 1950s and 1960s for playing rhythm and blues music on Nashville radio station WLAC. He was also a notable record producer and artist manager.

Richbourg was arguably the most popular and charismatic of the four announcers at WLAC who showcased popular African-American music in nightly programs from the late 1940s to the early 1970s. (The other three were Gene Nobles, Herman Grizzard, and Bill "Hoss" Allen.) Later rock music disc jockeys such as Alan Freed, Wolfman Jack, and others mimicked Richbourg's practice of using speech that simulated African-American street language of the mid-twentieth century.

Richbourg's highly stylized approach to on-air presentation of both music and advertising earned him popularity, but it also created identity confusion. Because Richbourg and fellow disc jockey Allen used African-American speech patterns, many listeners thought that both announcers were actually African-Americans. The disc jockeys used the mystique to their commercial and personal advantages until the mid-1960s, when their racial identities as Euro-Americans became public knowledge.