John Eacott (born 19 December 1961) is a British composer and Principal Lecturer in Music at the University of Westminster.[1]
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Eacott's career started in the 1980s with anarchic jazzers Loose Tubes, post-industrial metal bashers Test Dept, Roman Holliday, acid jazz group Vibraphonic, and a diverse array of artists including Damon Albarn, Goldie, Stereo MCs, The The, Georgie Fame, Terry Edwards and the Scapegoats.[2][3][4]
Since the 1990s he has composed works for theatre including the worldwide touring production of Gormenghast[5] and composed for the RSC production of The Taming of the Shrew directed by Lucy Bailey (director) in 2012. Film scores include the Miramax feature Three Steps to Heaven (1995), Escape to Life with Vanessa Redgrave (2000) and worked as arranger with Dave Stewart and Mick Jagger on the soundtrack of Alfie starring Jude Law (2003). His orchestral compositions have been performed and recorded by the Scottish Chamber Orchestra and Docklands Sinfonietta.
Since the completion of his PhD in 2007, Eacott has focused on making accessible live performances using algorithmic composition as part of his organisation Informal.[6] Flood Tide, which premiered at Trinity Buoy Wharf, Docklands in June 2008, is a musical performance generated by tidal flow.[7][8][9][10] Flood Tide works by submerging a sensor into tidal water, the data from which is transformed by Eacott's custom computer software, into notation read live from computer screens by musicians.[10][11] Flood Tide has been performed ten times since its premiere, most notably at Southbank Centre's See Further-Festival of Science and Arts in 2010[12] and the Mayor's Thames Festival in 2009.[13]
Eacott's work Hour Angle works from a similar system to Flood Tide, yet its notation is generated from the movement of the sun.[14][15] Hour Angle performances include the summer solstice of 2010 at Royal Observatory Greenwich.[16]
Informal have staged algorithmic works by John Eacott at venues including Royal Shakespeare Company, The Mayor's Thames Festival, Southbank Centre and Royal Observatory Greenwich,[17] and have worked with such organisations as Southbank Centre's vocal group Voicelab, and youth jazz musicians Tomorrow's Warriors.[17]
Eacott's production, It's What You Make It, inaugurated the Soundscapes Theatre, is a 360-degree theatre equipped with 3D surround-sound.[18]
In 1995, Eacott won funding for an Urban Music summer school.[19] In 2001, he lectured at Stetson University.[20] In 2008, he held a workshop about SuperCollider.[21] In 2010, Eacott took part in the Locus Sonus Symposium Sonification in Aix en Provence, France.[22]
Eacott lectures in Contemporary Music at the University of Westminster.[23][24]
As well as Flood Tide and Hour Angle, previous algorithmic / generative works include The Street, an interactive sound environment (2000), Morpheus, a CD Rom of generative electronica (2001),[25][26] and Intelligent Street, in which users alter a public sound environment by sending text messages (2003).[27][28][29]
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(Chorus)(2x)
Mira lo que pasa
Messing with my raza
Ya get close i'll get your casa
Mira lo que pasa
Can't kill me and my raza
Cuz your boys no tienen chanca
Viven the vatos ramos
Bustin on two soldados
Hurry up porque ya nos vamos
Mexicanos y Hispanos
Hitting them like granosos
Pinchi los dos babosos
Whatchin the maricones, haters, suckers, and chismosos
Like a roca tu vida
Do you feel the embidia?
Porque no hay salida
When your hooked on the linea
Echale ondo al palo
Porque cargas el palo
Steelin from your own familia
Now you jackin the carros
Rollin, i'm drivin
Whatchin the raza go robbin
Got the bullet revolving cuz i'm solvin the problem
Te envenenan la pena
Si te ponen te truenan
Es la vida la vida
When you movin arena
So you up in your ride
Whatchin hard from the jura
Cuz your blown on a toce
Y transportas la pura
Es lo que pasa en el dia
Estatura es la vida
Keep my hand on my heata
Pack a clap for la cita
Day, I bust en arranque
Hay tension en mi tanque
Whatchin the markas en placas
Feelin like Pedro Infante
Oh my ladie and baby
Livin hard in the mundo
My Mercedes is faded
And i'm missing my gordo
Me lo envarro en el pecho
Anima al derecho
Hay muy pocos de pesos
Y no pagan el techo
Mexicano came up
Hitting hard on these licks
Treating haters like chicks
They had me jackin real quick