John Davies Cale, OBE (born 9 March 1942) is a Welsh musician, composer, singer-songwriter and record producer who was a founding member of the American experimental rock band the Velvet Underground.
Though best known for his work in rock music, Cale has worked in various genres including drone and classical, and studied music at Goldsmiths College, University of London. Since leaving the Velvet Underground in 1968 he has released approximately 30 albums. Of his solo work, Cale is perhaps best known for his album Paris 1919, and his cover version of Leonard Cohen's "Hallelujah", plus his mid-1970s Island Records trilogy of albums: Fear, Slow Dazzle and Helen of Troy.
Cale has produced or collaborated with Lou Reed, Nico, La Monte Young, John Cage, Terry Riley, Hector Zazou, Cranes, Nick Drake, Mike Heron, Kevin Ayers, Brian Eno, Patti Smith, the Stooges, Lio, the Modern Lovers, Art Bergmann, Manic Street Preachers and frontman James Dean Bradfield, Super Furry Animals, Marc Almond, Element of Crime, Squeeze, Happy Mondays, LCD Soundsystem, the Replacements, Siouxsie and the Banshees and Animal Collective.
The bugger in the short sleeves fucked my wife
Did it quick and split
Back home, fresh as a daisy to Maisy, oh Maisy
And the twelve-bore it stood in the corner
Quite operatic in its self disgust
It blew him all over the living room floor
Like parrot shit, parrot spit, parrot shit was shot
Now suppose it was someone familiar
Someone we all would know
Embarrasing denouement, ne c'est pas?
Familiar hyperbole
And there would go the secret plot
The piss had missed the hole in the pot
Like that ancient teenage dream
From soul to poison soul to poison soul
Guts, guts, got no guts
And stitches don't help at all
Guts, guts, got no guts
Holes in the body, holes in the legs
Holes in the forehead, holes in the head
Holes in the body, holes in the legs
There should never be holes at all
There should never be holes at all
So: kill all you want or more
Make sure, do it right
Dead is dead, and door nails forget
And then you'll notice
How the waster and the wasted
Get to look like one another
In the end, in the end
In the end, in the end
In the end, in the end
In the end, in the end