Sugarland

Sugarland is an American country music duo consisting of singer-songwriters Jennifer Nettles (lead vocals) and Kristian Bush (vocals, mandolin, acoustic guitar, and harmonica). Sugarland was founded in 2002 by Kristen Hall with Bush and became a trio after hiring Jennifer Nettles as lead vocalist.

Signed to Mercury Nashville Records in 2004, Sugarland broke through that year with the release of their debut single "Baby Girl", the first single from their multi-platinum debut album Twice the Speed of Life. Hall left in 2006 before the group released its second album, Enjoy the Ride. This album produced their first two No. 1 singles (in the U.S.), "Want To" and "Settlin'", and won the duo a Grammy for "Stay". In 2008 they released their third album, titled Love on the Inside. This album produced three more No. 1 singles with "All I Want to Do", "Already Gone", and "It Happens". Their fourth album, The Incredible Machine was released on October 19, 2010 in both a standard and deluxe edition. Upon The Incredible Machine being certified platinum, Sugarland has sold in excess of 14 million records. Besides songs written with Kevin Griffin, Nettles and Bush write all of the band's songs. In 2012, after recording a series of tours, the duo went on hiatus due in part to Nettles taking a maternity leave; during the hiatus, both she and Bush recorded solo projects.

Sugarland (disambiguation)

Sugarland or Sugar Land may refer to:

Sugar Land, Texas

Sugar Land is a city in the state of Texas, in the United States. The city is within the Houston–The Woodlands–Sugar Land metropolitan area and Fort Bend County. It is one of the most affluent and fastest-growing cities in Texas, having grown more than 158 percent in the last decade. In the time period of 2000–2007, Sugar Land also enjoyed a 46.24% job growth. As of the 2010 census, its population was 78,817. In 2014, the U.S. Census Bureau estimated that the city's population was 86,777, with a median family income of $113,261 and a median home price of $369,600.

Founded as a sugar plantation in the early mid-20th century and incorporated in 1959, Sugar Land is the largest city and economic center of Fort Bend County.

Sugar Land is home to the headquarters of Imperial Sugar and the company's main sugar refinery and distribution center was once located in this city. Recognizing this heritage, the Imperial Sugar crown logo can be seen in the city seal and logo.

The city is the national headquarters of CVR Energy, Inc. (NYSE: CVI). CVR Energy, Inc. was listed as the city's only resident 2012 Fortune 500 company and was ranked No. 5 public company according to the Houston Chronicle. Sugar Land also holds the headquarters for Western Airways and a major manufacturing facility for Nalco Chemical Company. In addition, Sugar Land has a large number of international energy, software, engineering, and product firms. Sugar Land has the most master-planned communities in Fort Bend County, which is home to the largest number of master-planned communities in the nation—including Greatwood, First Colony, Sugar Creek, River Park, Riverstone, New Territory, Telfair, and many others.

Beverley Craven (album)

Beverley Craven is the debut album by British singer Beverley Craven. It was released in July 1990. The album was fully written by Craven herself.

Craven signed to Epic Records in 1988, and initially recorded the album with American producer Stewart Levine (of Simply Red fame). The initial results, however, were not of Craven's liking and, with the agreement of her label, she restarted from scratch working with Paul Samwell-Smith, who eventually produced the whole album. Levine's production of her songs were eventually released as b-sides to some of her singles, under the label "West Coast Version".

Released in July 1990, the album was initially a flop in the UK, with its singles and the album failing to reach the charts. She found however some success around continental Europe in 1990 and toured there to support the release. Craven made her first UK tour in early 1991, which was successful. In April 1991, the original lead single "Promise Me" was re-released, and this time it was heavily promoted. Appearances on British TV led to exposure of the single and it eventually peaked at #3 in the UK in May 1991, becoming her biggest hit.

Joey (1985 film)

Joey, also known as Making Contact, is a 1985 West German/American fantasy film from Centropolis Film Productions (now Centropolis Entertainment). The film was co-written and directed by Roland Emmerich. The plot concerns a boy (Joshua Morell) who loses his father, but makes contact with what he believes is his deceased parent via a small phone and is terrorized by a demonic ventriloquist dummy named Fletcher who is possessed by a demon and summons demons to threaten his friends as only the boy must go into the spirit world to destroy this evil in a battle of good vs. evil. The boy develops the power of telekinesis, which soon gets out of hand.

Release

Joey was released in North America as Making Contact. The North American version was heavily cut and ran 79 minutes. Since, Joey has been released as a 2 disc DVD set featuring the original 98 minutes version along with the edited North American cut.

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Joey (Bob Dylan song)

"Joey" is a song from Bob Dylan's 1976 album Desire. It was written by Dylan and Jacques Levy, who collaborated with Dylan on most of the songs on the album. In a 2009 interview with Bill Flanagan, Dylan claimed that Levy wrote all the words to this song. Like another long song on the album, "Hurricane", "Joey" is biographical. The song is about the life and death of mobster Joey Gallo, who had been killed on his birthday at Umberto's Clam House in Little Italy, on April 7, 1972.

Meaning

The song treats Gallo sympathetically, despite his violent history. Gallo had been accused of at least two murders and had been convicted of several felonies. But in the song he is given credit for distrusting guns, being reluctant to kill hostages and for shielding his family when he was being killed, and makes him appear to be an unwilling participant in the crimes of his henchmen, thus not deserving his fate. As a result of the sympathetic treatment, critics such as Lester Bangs harshly criticized Dylan and the song. Bangs described it as "repellent romanticist bullshit." However, Dylan claims that he always thought of Gallo as a kind of hero and an underdog fighting against the elements. Besides his status as an outsider, Dylan was likely also drawn to the fact that Gallo's best friends in prison were black men. In addition Gallo was able to gain sympathy in artistic circles by passing himself off as a cultured person victimized by the "system".