Joe Camel

Joe Camel (officially Old Joe) was the advertising mascot for Camel cigarettes from late 1987 to July 12, 1997, appearing in magazine advertisements, billboards, and other print media.

History

The U.S. marketing team of R. J. Reynolds, looking for an idea to promote Camel's 75th anniversary, re-discovered Joe in the company's archives in the late 1980s.

Quoted from The New York Times:

Joe Camel was actually born in Europe. The caricatured camel was created in 1974 by a British artist, Billy Coulton, for a French advertising campaign that subsequently ran in other countries in the 1970s. Indeed, Mr. O'Toole recalled a visit to France many years ago during which he glimpsed Joe Camel wearing a Foreign Legion cap. The inspiration behind Mr. Price's cartoon was the camel, named Old Joe, that has appeared on all Camel packages since the brand's initial appearance in 1913.

Joe Camel first appeared in the U.S in 1988, in materials created for the 75th anniversary of the Camel brand by Trone Advertising. Trone is a mid-size agency in Greensboro, N.C., that Reynolds used on various advertising and promotional projects.

Camel (chess)

The camel (or long knight) is a fairy chess piece that moves like an elongated knight. When it moves, it can jump to a square that is three squares horizontally and one square vertically, or three squares vertically and one square horizontally, regardless of intervening pieces; thus, it is a (1,3)-leaper. Below, it is given the symbol L from Betza notation.

History and nomenclature

The camel is a very old piece, appearing in some very early chess variants, such as Tamerlane chess. It is still known as such in fairy chess problems.

Value

The camel by itself is worth about two pawns (appreciably less than a knight), because of its colorboundedness and lack of sufficient freedom of movement on an 8×8 board. However a camel and a bishop and a king can force checkmate on a bare king (assuming that the attacking pieces are not on the same color); a camel, a knight and a king can force checkmate on a bare king, but not easily (there are thirteen types of fortress draws); a camel, a wazir and a king can sometimes force checkmate on a bare king, but it can take up to 77 moves. Even if they are on different colours, two camels cannot checkmate a lone king. While the rook versus camel endgame is a draw in general, there are more winning positions than there are in rook versus knight and rook versus bishop: the longest win takes 35 moves. (All endgame statistics mentioned are for the 8×8 board.)

Camel (horse)

Camel (1822 – 6 November 1844) was a British Thoroughbred racehorse. He won five of his seven races, including the Port Stakes in 1825, but his appearances were limited by leg problems. Throughout his racing career he was owned by Charles Wyndham. After retiring from racing Camel became a successful stallion, siring St. Leger winners Touchstone and Launcelot and becoming British Champion sire in 1838.

Background

Camel was a brown colt bred by George Wyndham, 3rd Earl of Egremont, and foaled in 1822. He was sired by Whalebone, who won the Newmarket Stakes and Epsom Derby in 1834. After retiring from racing he was a successful stallion, becoming Champion sire twice. Amongst his other progeny were Derby winners Lap-dog and Spaniel, as well as the top sire Sir Hercules. Camel's dam was an unnamed daughter of Selim. Camel was owned by Egremont's son Charles Wyndham.

Racing career

Camel was due to race the colt Peter Proteus in a match race at Newmarket on 21 April 1825, but Peter Proteus paid a forfeit and was withdrawn. They following day he contested the Newmarket Stakes, facing eight rivals. Cramer was the pre-race favourite at 6/4, with Camel second favourite at 3/1. The race was won by 17/1 outsider Crockery, with Camel finishing second. On 3 May he started as the 5/4 favourite for a £50 race for three-year-olds over the Rowley Mile at Newmarket. Ridden by W. Arnull, Camel won the race from Adeliza. At Newmarket's Second October meeting he beat Dahlia, Mortgage and 1000 Guineas winner Tontine in a race for one-third of a subscription of 25 sovereigns each. At the beginning of November he beat Tarandus in a match race over five and a half furlongs at Newmarket. Two days later Camel lost a match against the filly Scandel.

Camel (album)

Camel is the first studio album by English progressive rock band Camel. It was released in 1973. The bonus track "Homage To The God Of Light" was originally released in Peter Bardens's solo album The Answer in 1970.

Timeline

By August of 1972, Camel were signed to MCA Records. They quickly entered the studio to record their first self-titled album, Camel. A collection of individual songs, chiefly from Andrew Latimer and Peter Bardens, the album was greeted with muted success and MCA did not take an option for a second album. By then, the group had acquired the management team of Geoff Jukes and Max Hole of Gemini Artists (later to become GAMA Records) and had moved to Decca Records, where they would remain for the next 10 years.

Tour

Camel gigged 9 months of the year and firmly established a reputation for their live sound in the UK, Switzerland, Belgium, and the Netherlands. They shared the stage with other artists such as Stackridge, Barclay James Harvest, Gong, Hawkwind, Pink Fairies, Global Village Trucking Company, and Spyro Gyra.

Book of Joel

The Book of Joel is part of the Hebrew Bible. Joel is part of a group of twelve prophetic books known as the Twelve Minor Prophets. (The term indicates the short length of the text in relation to the longer prophetic texts known as the Major Prophets).

Content

After a superscription ascribing the prophecy to Joel (son of Pethuel), the book may be broken down into the following sections:

Run, Joe, Run

Run, Joe, Run was a Saturday-morning television program that aired on NBC from 1974 to 1976. It centered on Joe, a German Shepherd dog in the military's K-9 corps, and his master, Sergeant Will Corey (played by Arch Whiting). One day, during training, Joe was falsely accused of attacking his master, a crime for which the dog would be put to sleep as punishment. However, he escaped before being killed and a $200 bounty was put on his head.

Sgt. Corey believed Joe was innocent and also pursued him, hoping to find Joe before the authorities did. While on the run, Joe helped people he encountered.

During the show's second season, Sgt. Corey, having never found Joe (although he always came close), was called back to duty. Joe then teamed with a hiker, Josh McCoy (played by Chad States), and continued to help others, all the while still on the run.

The show was considered as a cross between Lassie and The Fugitive. Like The Fugitive, and later, The Incredible Hulk, it centered on a falsely accused person (in this case, the "person" was a dog) running from authorities and helping out people he meets along the way. The show was produced by D'Angelo Productions, which also produced the NBC young adult drama, Westwind, and other live-action series for Saturday mornings.

Joe the Plumber

Samuel Joseph Wurzelbacher (/ˈwɜːrzəlbɑːkər/; born December 3, 1973), known as Joe the Plumber, is an American conservative activist and commentator. He gained national attention during the 2008 U.S. presidential election when, during a videotaped campaign stop in Ohio by then Democratic nominee, Senator Barack Obama, Wurzelbacher asked Obama about his small business tax policy. Obama's response included the statement, "when you spread the wealth around, it's good for everybody." Obama's response was seized upon by conservative media, and by Obama's rival, Republican nominee Senator John McCain, as an indication that Obama was interested in the redistribution of wealth and had a socialist view of the economy. Wurzelbacher is a member of the Republican Party.

Since he expressed to then-Senator Obama that he was interested in purchasing a small plumbing business, Wurzelbacher was given the moniker "Joe the Plumber" by the McCain–Palin campaign. The campaign took him to make several appearances in campaign events in Ohio and McCain often referenced "Joe the Plumber" in campaign speeches and in the final presidential debate, as a metaphor for middle-class Americans.