Jodi (English: Couple) is a 1999 Tamil romantic musical film directed by Praveen Gandhi and produced by Murali Manohar. The film features Prashanth and Simran in the lead roles, with Vijayakumar, Nassar and Srividya playing other pivotal roles. The film's soundtrack is composed by A.R. Rahman, while Sabesh-Murali compose the background score for the film. The film opened in September 1999 to positive reviews and became a commercially successful venture.
Kannan (Prashanth), a young music shop employee dreams of his dreamgirl with gold anklets. He sees a running girl's leg and finds he has found his girl and follows her with his anklets. Kannan goes to a music college to repair musical instruments and a group of college girls led by Gayatri (Simran) the girl which Kannan found as his dreamgirl approach him to request him to not to repair the instruments all they are very old and unfit to use for the music contest. Kannan uses the opportunity to become close to her but Gayathri does not reciprocate. Instead, she gets angry on his behaviour. Kannan accompanies Gayathri to Bangalore for the music contest. Gayathri once sees Kannan getting money from one of the musical bands who has come to participate in the contest. On the day of the contest Gayathri and her team are shocked that the song which they have composed was stolen by other troop and she misunderstands that Kannan has stolen and sold their work for money despite Kannan's protest that he is innocent. Kannan lends the love poems which he had written for her to sing for the contest. Gayathri gets the song and sings which wins her the prize. Gayathri understands that Kannan has no role in the stealing of the song and he got money from the troop for fixing their repaired musical instruments. Gayathri now realised her blunder for hurting him and rushes to apologize and accept his love. Kannan gets news that his father was injured and rushes to his home.
The year 1999 in film included Stanley Kubrick's final film Eyes Wide Shut, Pedro Almodóvar's first Oscar-winning film All About My Mother, the science-fiction hit The Matrix, the Deep Canvas-pioneering Disney animated feature Tarzan and Best Picture-winner American Beauty, as well as critically acclaimed animated works The Iron Giant, Toy Story 2 and South Park: Bigger, Longer & Uncut. Other noteworthy releases included Spike Jonze's and Charlie Kaufman's breakout film Being John Malkovich and M. Night Shyamalan's breakout film The Sixth Sense, the controversial Fight Club and Paul Thomas Anderson's Magnolia. The year also featured the first installment of a trilogy, George Lucas' top-grossing Star Wars Episode I: The Phantom Menace.
Columbia Pictures and Metro Goldwyn Mayer celebrated their 75th anniversaries in 1999.
The top ten films released in 1999 by worldwide gross are as follows:
Jodi may refer to:
$, also known as Dollars and in the UK as The Heist, is a 1971 American caper film starring Warren Beatty and Goldie Hawn, and distributed by Columbia Pictures. The movie was written and directed by Richard Brooks and produced by M.J. Frankovich. The supporting cast includes Gert Fröbe, Robert Webber and Scott Brady. The film was partly shot in Hamburg, Germany, which forms the primary location of the film and was supported by the Hamburg Art Museum and Bendestorf Studios.
The film's title appears in the opening credits only in the form of a giant character, as would be used in a sign, being transported by a crane.
Set in Hamburg, West Germany, several criminals take advantage of the German bank privacy laws to use safe deposit boxes in a German bank to store large amounts of illicit cash. These include a Las Vegas mobster as well as a ruthless drug smuggler known as the Candy Man and a crooked overbearing U.S. Army sergeant and his meek-mannered partner the Major, who conspire on a big heroin and LSD smuggling score. Joe Collins (Warren Beatty), an American bank security consultant, has been spying on them and makes mysterious and elaborate preparations to steal their money (totaling more than $1.5 million) with the help of Dawn Divine (Goldie Hawn), a hooker with a heart of gold.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.