"Jim Dandy" (sometimes known as "Jim Dandy to the Rescue") is a song written by Lincoln Chase, and was first recorded by American R&B singer LaVern Baker in 1956. It reached the top of the R&B chart and #17 on the pop charts in the U.S. It was named one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll and was ranked #343 on Rolling Stone's 500 Greatest Songs of All Time.
The song is about a man (Jim Dandy) who rescues women from improbable or impossible predicaments. It proved popular enough that Chase wrote a second song for Baker entitled "Jim Dandy Got Married.".
The American English term jim-dandy for an outstanding person or thing predates the song; first attested in 1844, it may itself come from the title of an old song, "Dandy Jim of Caroline".
The tenor saxophone solo is by Sam "The Man" Taylor
The song was covered by southern rock band Black Oak Arkansas. It hit #25 on the pop chart and featured Jim "Dandy" Mangrum and female vocalist Ruby Starr trading off vocals. It was the first single from their 1973 album High on the Hog, Black Oak's most commercially successful album.
A dandy (also known as a beau or gallant) is a man who places particular importance upon physical appearance, refined language, and leisurely hobbies, pursued with the appearance of nonchalance in a cult of self. Historically, especially in late 18th- and early 19th-century Britain, a dandy, who was self-made, often strove to imitate an aristocratic lifestyle despite coming from a middle-class background.
Though previous manifestations of the petit-maître (French for small master) and the Muscadin have been noted by John C. Prevost, the modern practice of dandyism first appeared in the revolutionary 1790s, both in London and in Paris. The dandy cultivated skeptical reserve, yet to such extremes that the novelist George Meredith, himself no dandy, once defined "cynicism" as "intellectual dandyism"; nevertheless, the Scarlet Pimpernel is one of the great dandies of literature. Some took a more benign view; Thomas Carlyle in his book Sartor Resartus, wrote that a dandy was no more than "a clothes-wearing man". Honoré de Balzac introduced the perfectly worldly and unmoved Henri de Marsay in La fille aux yeux d'or (1835), a part of La Comédie Humaine, who fulfils at first the model of a perfect dandy, until an obsessive love-pursuit unravels him in passionate and murderous jealousy.
Dandy is a nickname which may refer to:
Dandy is the surname of:
Jim is a diminutive form of the forename "James". For individuals named Jim, see articles related to the name Jim.
Jim is a comic book series by Jim Woodring. It began in 1980 as a self-published zine and was picked up by Fantagraphics Books in 1986 after cartoonist Gil Kane introduced Woodring to Fantagraphics co-owner Gary Groth. The publisher released four magazine-sized black-and-white issues starting in September 1987. A comic book-sized continuation, Jim Volume II, with some color, began in 1993 and ran for six issues until 1996.
Jim, which Woodring described as an "autojournal", contained comics on a variety of subjects, many based on dreams, as well as surreal drawings and free-form text which resembled Jimantha automatic writing. Besides dreams, the work drew on Woodring's childhood experiences, hallucinations, past alcoholism, and Hindu beliefs. It also included stories of recurring Woodring characters such as Pulque (the embodiment of drunkenness), boyhood friends Chip and Monk, and, in Volume II, his signature creation Frank.
Jim is made up of a variety of short comics, text pieces, and artwork. Most of the works are short comics based on Woodring's dreams. Some of the pieces are surreal parodies of advertisements in the Mad tradition.
Jim is one of two major fictional characters in the classic novel Adventures of Huckleberry Finn by Mark Twain. The book chronicles his and Huckleberry's raft journey down the Mississippi River in the antebellum Southern United States. Jim is an adult black slave who has fled; "Huck," a 13-year-old white boy, joins him in spite of his own conventional understanding and the law.
The character may have been modeled after one or more slaves , or on the "shrewd, wise, polite, always good-natured ..."formerly enslaved African-American George Griffin, whom Twain employed as a butler, starting around 1879, and treated as a confidant.
The author, Samuel Clemens, grew up in the presence of his parents' and other Hannibal, Missourians' slaves and listened to their stories; an uncle, too, was a slave owner.
Jim's is one of the several spoken dialects called deliberate in a prefatory note. Academic studies include Lisa Cohen Minnick's 2004 Dialect and Dichotomy: Literary Representations of African American Speech and Raphaell Berthele's 2000 "Translating African-American Vernacular English into German: The problem of 'Jim' in Mark Twain's Huckleberry Finn.".