Jib

A jib is a triangular staysail that sets ahead of the foremast of a sailing vessel. Its tack is fixed to the bowsprit, to the bow, or to the deck between the bowsprit and the foremost mast. Jibs and spinnakers are the two main types of headsails on a modern boat.

Modern yachts and small craft

Boats may be sailed using a jib alone, more commonly jib(s) make a minor direct contribution to propulsion, compared to a main sail. Generally, a jib's most crucial function is as an airfoil, increasing performance and overall stability by reducing turbulence on the main sail's leeward side.

On boats with only one jib, it is common for the clew of the jib to be further aft than the mast, meaning the jib and mainsail overlap. An overlapping jib is called a genoa jib or simply a genoa (see illustration). These are efficiently used when reaching more broadly than a close reach. Alternatively, a boat may carry smaller jibs, to compensate aerodynamics when the main sail is reefed; these more rugged sails are called storm jibs or spitfires.

Al Jib

Al Jib or al-Jib (Arabic: الجيب‎) is a Palestinian village in the Jerusalem Governorate, located ten kilometers northwest of Jerusalem, in the seam zone of the West Bank. The surrounding lands are home to Al Jib Bedouin. Since 1967, Al Jib is occupied by Israel and about 90% of its lands are assigned as Area C. About a quarter of the land is seized by Military Orders for the establishment of Israeli settlements. The neighborhood Al Khalayleh was separated by the West Bank barrier. According to the Palestinian Central Bureau of Statistics, al-Jib had a population of approximately 4,700 in 2006. The modern village is identified with the ancient city of Gibeon.

History

The first scientific identification of al-Jib with the ancient Canaanite city of Gibeon was made by Edward Robinson in 1838. Archaeological excavations led by James Pritchard in 1956, 1957, and 1959 confirmed this identification with the discovery of 56 jar handles inscribed with the Semitic triliteral gb'n. The inscriptions were dated to the end of the Judean monarchy and have been cross-referenced against genealogical lists in the Book of Chronicles. While they include many Benjaminite names, they also include non-Israelite names, attesting to the intermixing of local population.

Jib (disambiguation)

Jib may refer to a wide range of meanings:

Mechanical

Places

Colloquially

See also

Boom

Boom may refer to:

Objects

Other common meanings

Arts and entertainment

Music

Performers

Boom! (TV series)

Boom! is an American reality television series that aired on Spike TV in 2005 and was hosted by Kourtney Klein. It featured a group of demolition experts using explosives to destroy objects such as trailers, houses, boats and cars. Often, the suggestions on what should be blown up were sent in by home viewers via a "BOOM! Mailbag". Each episode covered obtaining the materials (such as the item to be destroyed), cleaning, gutting, and rigging the thing with explosives, and then making the final countdown and pushing the detonator, and watching the devastation.

References

External links

Boom! (film)

Boom! is a 1968 British drama film starring Elizabeth Taylor, Richard Burton and Noël Coward, directed by Joseph Losey, and adapted from the play The Milk Train Doesn't Stop Here Anymore by Tennessee Williams.

Plot

Flora 'Sissy' Goforth (Taylor, in a part written for an older woman) is a terminally ill woman living with a coterie of servants in a large mansion on a secluded island. Into her life comes a mysterious man, Christopher Flanders, nicknamed "Angelo Del Morte" (played by then-husband Burton, in a part intended for a very young man). The mysterious man may or may not be "The Angel of Death".

The interaction between Goforth and Flanders forms the backbone of the plot, with both of the major characters voicing lines of dialogue that carry allegorical and Symbolist significance. Secondary characters chime in, such as "the Witch of Capri" (Coward). The movie mingles respect and contempt for human beings who, like Goforth, continue to deny their own death even as it draws closer and closer. It examines how these characters can enlist and redirect their fading erotic drive into the reinforcement of this denial.