Jersey Giant

The Jersey Giant is a breed of chicken which originated in the United States in the late 19th century. Named for their state of origin (New Jersey) and their large size, Jersey Giants are the largest chicken breed.

History

The Jersey Giant was created by John and Thomas Black; with the intent of replacing the turkey, the kind of poultry used primarily for meat at the time. They were produced by crossing Black Javas, Black Langshans, and Dark Brahmas. The Black Jersey Giant was added to the Standard of Perfection of the American Poultry Association in 1922. The White variety was added in 1947, and Blue in 2002. Black Jersey Giants are, on average, a pound heavier than White Jersey Giants. Though the breed's present size is considerable, they were heavier in the past. For a time, they were raised as capons and as broilers by the meat industry. They grow much more slowly than today's more common meat birds, and are thus not widely used in the industry.

In Europe the breed fell out of favour to such an extent that they nearly became extinct, however in the mid 1980s a breeder in the UK, Sam Hay of Shropshire, located the last surviving trio and decided to save them. He built up his stock but they were suffering the ill effects of inbreeding. He was very fortunate to find that Dutch chicken breeder Jaap Beekman had the last few Jersey Giants in The Netherlands. The two were able to share stock and reintroduce the breed to both countries. Within a few years Jersey Giants were regular winners at rare breed poultry shows.

Jersey

Jersey (/ˈdʒɜːrzi/, French: [ʒɛʁzɛ]; Jèrriais: Jèrri [ʒɛri]), officially the Bailiwick of Jersey (French: Bailliage de Jersey; Jèrriais: Bailliage dé Jèrri), is a Crown dependency of the United Kingdom, a possession of the Crown in right of Jersey, off the coast of Normandy, France. The bailiwick consists of the island of Jersey, along with surrounding uninhabited islands and rocks collectively named Les Dirouilles, Les Écréhous, Les Minquiers, Les Pierres de Lecq, and other reefs. Jersey was part of the Duchy of Normandy, whose dukes went on to become kings of England from 1066. After Normandy was lost by the kings of England in the thirteenth century, and the ducal title surrendered to France, Jersey and the other Channel Islands remained attached to the English crown.

Jersey is a self-governing parliamentary democracy under a constitutional monarchy, with its own financial, legal and judicial systems, and the power of self-determination.

The island of Jersey is the largest of the Channel Islands. Although the Bailiwicks of Jersey and Guernsey are often referred to collectively as the Channel Islands, the "Channel Islands" are not a constitutional or political unit. Jersey has a separate relationship to its Crown from the other Crown dependencies of Guernsey and the Isle of Man, although all three Crowns are held by the monarch of the United Kingdom. It is not part of the United Kingdom, and has an international identity separate from that of the UK, but the United Kingdom is constitutionally responsible for the defence of Jersey. The Commission have confirmed in a written reply to the European Parliament in 2003 that Jersey is within the Union as a European Territory for whose external relationships the United Kingdom is responsible. Jersey is not fully part of the European Union but has a special relationship with it, notably being treated as within the European Community for the purposes of free trade in goods.

Jersey (EP)

Jersey is the debut solo extended play (EP) by American singer and actress Bella Thorne, released on November 17, 2014 by Hollywood Records. Thorne promoted the EP for a one time, in the event Shall We Dance on Ice, in Bloomington, Illinois, on December 16, 2014, when she performed "Jersey".

Background

“Everything is very different so it is hard to say I have some Coachella music, I have some R&B, some more Ke$ha talk-y music, I wanted there to be a song for everyone I don’t want it to just be you hear a song on the radio and say, ‘Oh that kinda sounds like Bella Thorne,’ like she would sing a song like that. I want it to be so versatile and different.”

In March 2013, Thorne announced she'd been signed to Hollywood Records, and began working on her debut album. On 23 April 2013, she discussed details about her upcoming album, telling MTV: “What fans can expect is [for it] just to be very different from anyone, because I don’t like to be one of those artists where you can be like: ‘Oh yeah, I know them from that song.’ All my songs are very different from each other. So I don’t want to be known as only one genre.” On 28 March 2014, Thorne announced her debut album would be named as the single, and confirmed it will consist of eleven songs.

What a Time to Be Alive

What a Time to Be Alive is a collaborative mixtape by Toronto-based rapper Drake and Atlanta-based rapper Future. It was released on September 20, 2015 via the iTunes Store and Apple Music. The mixtape was released under the labels of A1, Cash Money, Epic, OVO Sound, Freebandz, Republic and Young Money.

The mixtape debuted at number one on the US Billboard 200. The artwork is a stock image that was purchased from Shutterstock.

Release and promotion

The mixtape was first teased by a range of sources including DJ SKEE, Angela Yee and Ernest Baker, and was officially announced on Drake's Instagram on September 19, 2015, when he revealed the mixtape's release date and cover art. Drake and Future premiered the album on Beats 1 on OVO Sound's "OVO Sound Radio" show on September 20, 2015, after which it was released on the iTunes Store and Apple Music.

Critical reception

What a Time to Be Alive received generally positive reviews from critics, receiving a normalized metascore of 70 out of 100 on the review aggregate website Metacritic based on 24 critics.Billboard described Drake and Future's chemistry as expected and said "Future deals with personal demons that he tries, and fails, to drown in drugs; Drake is mostly about insecurities and lesser gravity".Rolling Stone gave the album 3.5 out of 5 stars, attributing the "fresh and spontaneous" feel to the quick production of the album, where "both artists [are] playing off their louder-than-life personalities without overthinking the details." However, Sheldon Pearce in a Pitchfork Media review suggests that this limited time-frame for making the album is the sonic downfall of the mixtape arguing that the album "wasn't created with the care or the dutiful curation we've come to expect from both artists when solo."