Jersey Flegg

Harry "Jersey" Flegg (6 April 1878 in Bolton, Lancashire – 23 August 1960 in North Sydney, New South Wales) was an English-Australian rugby league identity. Both a player and administrator, he was a leading figure in the birth of the sport in Australia.

Flegg emigrated to Australia at an early age. He received his nickname 'Jersey' while still at school, after a meeting with the New South Wales (NSW) Governor of the time, Lord Jersey, who had bright red hair, similar to his own.

Playing career

'Jersey' played rugby football for the Adelphi club and represented New South Wales in the sport before moving to the new rebel code in rugby league's start up season – 1908.

'Jersey' played a leading role in the establishment of the Eastern Suburbs club, he chaired the founding meeting, was one of that clubs two delegates to the New South Wales Rugby Football League (NSWRFL) as well as being a club selector. A front row forward with a reputation as a solid defender, Flegg captained the side in its inaugural season, including the club's first match and the NSWRFL's first premiership decider against neighbouring Sydney club and traditional rival, South Sydney. Flegg was also selected in a Sydney-based representative team during that first season. However, it is in administration that 'Jersey' is best remembered.

Jersey

Jersey (/ˈdʒɜːrzi/, French: [ʒɛʁzɛ]; Jèrriais: Jèrri [ʒɛri]), officially the Bailiwick of Jersey (French: Bailliage de Jersey; Jèrriais: Bailliage dé Jèrri), is a Crown dependency of the United Kingdom, a possession of the Crown in right of Jersey, off the coast of Normandy, France. The bailiwick consists of the island of Jersey, along with surrounding uninhabited islands and rocks collectively named Les Dirouilles, Les Écréhous, Les Minquiers, Les Pierres de Lecq, and other reefs. Jersey was part of the Duchy of Normandy, whose dukes went on to become kings of England from 1066. After Normandy was lost by the kings of England in the thirteenth century, and the ducal title surrendered to France, Jersey and the other Channel Islands remained attached to the English crown.

Jersey is a self-governing parliamentary democracy under a constitutional monarchy, with its own financial, legal and judicial systems, and the power of self-determination.

The island of Jersey is the largest of the Channel Islands. Although the Bailiwicks of Jersey and Guernsey are often referred to collectively as the Channel Islands, the "Channel Islands" are not a constitutional or political unit. Jersey has a separate relationship to its Crown from the other Crown dependencies of Guernsey and the Isle of Man, although all three Crowns are held by the monarch of the United Kingdom. It is not part of the United Kingdom, and has an international identity separate from that of the UK, but the United Kingdom is constitutionally responsible for the defence of Jersey. The Commission have confirmed in a written reply to the European Parliament in 2003 that Jersey is within the Union as a European Territory for whose external relationships the United Kingdom is responsible. Jersey is not fully part of the European Union but has a special relationship with it, notably being treated as within the European Community for the purposes of free trade in goods.

Jersey (EP)

Jersey is the debut solo extended play (EP) by American singer and actress Bella Thorne, released on November 17, 2014 by Hollywood Records. Thorne promoted the EP for a one time, in the event Shall We Dance on Ice, in Bloomington, Illinois, on December 16, 2014, when she performed "Jersey".

Background

“Everything is very different so it is hard to say I have some Coachella music, I have some R&B, some more Ke$ha talk-y music, I wanted there to be a song for everyone I don’t want it to just be you hear a song on the radio and say, ‘Oh that kinda sounds like Bella Thorne,’ like she would sing a song like that. I want it to be so versatile and different.”

In March 2013, Thorne announced she'd been signed to Hollywood Records, and began working on her debut album. On 23 April 2013, she discussed details about her upcoming album, telling MTV: “What fans can expect is [for it] just to be very different from anyone, because I don’t like to be one of those artists where you can be like: ‘Oh yeah, I know them from that song.’ All my songs are very different from each other. So I don’t want to be known as only one genre.” On 28 March 2014, Thorne announced her debut album would be named as the single, and confirmed it will consist of eleven songs.

What a Time to Be Alive

What a Time to Be Alive is a collaborative mixtape by Toronto-based rapper Drake and Atlanta-based rapper Future. It was released on September 20, 2015 via the iTunes Store and Apple Music. The mixtape was released under the labels of A1, Cash Money, Epic, OVO Sound, Freebandz, Republic and Young Money.

The mixtape debuted at number one on the US Billboard 200. The artwork is a stock image that was purchased from Shutterstock.

Release and promotion

The mixtape was first teased by a range of sources including DJ SKEE, Angela Yee and Ernest Baker, and was officially announced on Drake's Instagram on September 19, 2015, when he revealed the mixtape's release date and cover art. Drake and Future premiered the album on Beats 1 on OVO Sound's "OVO Sound Radio" show on September 20, 2015, after which it was released on the iTunes Store and Apple Music.

Critical reception

What a Time to Be Alive received generally positive reviews from critics, receiving a normalized metascore of 70 out of 100 on the review aggregate website Metacritic based on 24 critics.Billboard described Drake and Future's chemistry as expected and said "Future deals with personal demons that he tries, and fails, to drown in drugs; Drake is mostly about insecurities and lesser gravity".Rolling Stone gave the album 3.5 out of 5 stars, attributing the "fresh and spontaneous" feel to the quick production of the album, where "both artists [are] playing off their louder-than-life personalities without overthinking the details." However, Sheldon Pearce in a Pitchfork Media review suggests that this limited time-frame for making the album is the sonic downfall of the mixtape arguing that the album "wasn't created with the care or the dutiful curation we've come to expect from both artists when solo."