Jerry on the Job was a popular comic strip by cartoonist Walter Hoban which was set in a railroad station. Syndicated by William Randolph Hearst's International Feature Service, it ran from 1913 into the 1930s.
When Hoban was given only a weekend to devise a comic strip, he created Jerry on the Job, about pint-size Jerry Flannigan, initially employed as an office boy and then in a variety of other jobs. The strip was launched on December 29, 1913. Comics historian Don Markstein described Hoban's character and work situations:
The Jerry on the Job Sunday page began in 1919, but it later became a topper strip above another Hoban feature, Rainbow Duffy. The daily strip came to an end in 1931, and the topper was dropped in 1932. Hoban died in 1939, but his former assistant, Bob Naylor, revived Jerry on the Job as a syndicated strip for King Features, starting on Oct. 21, 1946. However, Naylor's revival was not as successful as Hoban's original strip, and the strip was canceled in 1949.
The Job may refer to:
In film and television:
In literature:
The Job: Interviews with William S. Burroughs is a book by Daniel Odier built around an extensive series of interviews with Beat Generation author William S. Burroughs conducted in the late 1960s. Originally published in France in 1969, it was later reissued in several different English-language editions. Odier and Burroughs share authorship of the book, but it is common to see Burroughs given sole front cover author credit.
As Burroughs explains in a foreword, what began as a series of impromptu interviews covering topics ranging from Scientology to Burroughs' longtime drug addiction led to a work that contains flashbacks and cinematic-style "fade outs". Some of Burroughs' replies to Odier's questions are presented in near novella-length form (such as the chapter "Academy 23").
Later editions of the book added a prologue by Burroughs entitled "Playback from Watergate to the Garden of Eden" that reflected on topics of discussion that emerged after the Odier interviews. The prologue first appeared in The Electronic Revolution - the entirety of which is included in some editions of The Job. (Note: the 1989 Penguin Books reprint edition, which as of 2012 is the most widely available edition of the work, does not include The Electronic Revolution.)
"The Job" is the third season finale of the U.S. version of The Office, and the show's 52nd and 53rd episodes overall. In this episode, Michael prepares for his interview for the corporate job and names Dwight as his successor, whose managing methods are unpopular. Jan arrives at the office to see Michael and everyone is shocked when it appears she has undergone breast augmentation. Jim and Karen also interview for the corporate position, and Pam deals with the consequences of her earlier outburst.
The episode was written by Paul Lieberstein and Michael Schur, and was directed by Ken Kwapis. It was cut down from an hour and twelve minutes to forty-two minutes, making it the season's second hour-long episode after "A Benihana Christmas". Kwapis carefully shot Jim's reaction shots, as he did not want to reveal Jim's choice of Karen or Pam to the audience. The cast were unaware how the season would end, as multiple endings were shot by the crew. Filming wrapped up in April 2007.
On-the-job training (OJT) is a form of training taking place in a normal working situation.
On-the-job training, sometimes called direct instruction, is one of the earliest forms of training (observational learning is probably the earliest). It is a one-on-one training located at the job site, where someone who knows how to do a task shows another how to perform it. In antiquity, the work performed by most people did not rely on abstract thinking or academic education. Parents or community members, who knew the skills necessary for survival, passed their knowledge on to the children through direct instruction.
On the Job Training is still widely used today. It is a frequently used method of training because it requires only a person who knows how to do the task, and the tools the person uses to do the task. It may not be the most effective or the most efficient method at times, but it is normally the easiest to arrange and manage. Because the training takes place on the job, it can be highly realistic and no transfer of learning is required. It is often inexpensive because no special equipment is needed other than what is normally used on the job. One drawback is that OJT takes the trainer and materials out of production for the duration of the training time. In addition, due to safety or other production factors, it is prohibitive in some environment. Even many researches show the importance of the On the Job Training. For instance in a research conducted by Arun Paul (2012) confirms the significance of providing social skills training to professional social workers.
On the Job may refer to:
The first season of CSI: NY originally aired on CBS between September 2004 and May 2005. It consisted of 23 episodes. Its regular time slot was Wednesdays at 10pm/9c.
CSI: NY The Complete First Season was released on DVD in the U.S. on October 18, 2005.
Detectives Mac Taylor and Stella Bonasera head the New York City Crime Lab, and like their Las Vegas and Miami counterparts, they use state-of-the-art forensic techniques to determine the how and why of violent crime. During the first season the team, including Danny Messer, Aiden Burn, Don Flack, and Sheldon Hawkes, investigates the extraordinary, the bizarre, and the brutal, including a poisoning at a sushi restaurant, a skeleton discovered on a tour bus, a real-life Romeo & Juliet suicide pact, and a murder in a construction tunnel. Mac, meanwhile continues to deal with the death of his wife, who was killed on September 11, and Danny tries to come to terms with his past involving The Tanglewood Boys.
I'm gonna say whatever's on my mind
As you walk away with half of what is mine
Nothing's gonna change
So I'm giving up on you
And you're not gonna change my mind
You complicate until the dotted line
So I wrote this song to try to pass the time
You can't take my dignity
You can't take my pride
I've got my integrity
But you've just crossed the line
No one's even heard of me
Well I'm not gonna cry