Jerry Wald (September 16, 1911 – July 13, 1962) was an American screenwriter and a producer of films and radio programs.
Born Jerome Irving Wald in Brooklyn, New York, he had a brother and sons who were active in show business. He began writing a radio column for the New York Evening Graphic, while studying at New York University. This led to him producing several Rambling 'Round Radio Row featurettes for Vitaphone, Warner Brothers' short subject division (1932–33).
He wrote and produced numerous films between the 1930s and 1960s, including Stars Over Broadway (1935), The Roaring Twenties (1939), On Your Toes (1939, in collaboration with playwright Lawrence Riley), They Drive by Night (1940), Across the Pacific (1942), The Man Who Came to Dinner (1942), Destination Tokyo (1943), Mildred Pierce (1945), Johnny Belinda (1948), Key Largo (1948), Always Leave Them Laughing (1949), The Glass Menagerie (1950), and Perfect Strangers (1950).
Wald and Norman Krasna formed Wald/Krasna Productions to release films through RKO Radio Pictures, including Two Tickets to Broadway (1951), The Blue Veil (1951), Behave Yourself! (1952), The Lusty Men (1952), and Clash by Night (1953). Krasna and Wald dissolved their partnership because of interference from Howard Hughes, then head of RKO, in their productions. Wald went on to produce Peyton Place (1957), An Affair to Remember (1957), In Love and War (1958), The Sound and the Fury (1959), Sons and Lovers (1960), Return to Peyton Place (1961), and Wild in the Country (1961).
[Junior Reid]
Him speaketh in tongues into the hearts of all flesh
Yeah stanyoi
Whoi
[Ghostface Killah]
Oh God, I beg for forgiveness
So help me Lord, yes I beg for forgiveness
Deep in my heart, please, I'm crying for forgiveness
Allah you Akhbar, I fall to my knees for forgiveness
Branded by the steel iron, bullets flying
Ladies being hit through wickedness, I'm losing my grip
I thought we lived by the books, The Bible, Qua'ran
We pick cotton, my back is still hot and dark and
They threw burners in our babies' faces
Pale hands that looked scary touched our bodies in the strangest places
Sweat from the white man's head
Fell on our daughters as she cried, giving white man head, almighty
Alrighty, niggaz is screwing
God won't you tell me why these ho niggaz is screwing?
I'm sorry father, sacrifice me, leave me wife
Sacrifice me twice, so my kids can see paradise (paradise)
[Junior Reid]
So we heed our god king sellasie I, jahova god, jah rastafari
who is seated in zion and reigneth in all
In the hearts of all flesh
Whoa wow
Let my task oh jah with them that strive with me
Fight against them Whoa wow that fight against me
Whoa wow
Take hold thy shield and rock and stand up for my health
Oh jah, oh jah, only you can comfort me
La la la, la la la la la, la la la la
La la la whoi stanyoi
[RZA]
Curse to the wicked snakes who try to snatch the truth away
Cursed be the ones who try to take our youth away
Peace to the black, the brown, the red, yellow, and white seed
We don't discriminate man over color/creed
They tried to snatch up our beats, son, and steal our culture
and German Catholics, whitewashing Roman sculptures
How dare you try to deny Allah's intelligence?
Kidnap the truth, and destroying the black evidence
[Junior Reid]
Glory be to the father
Glory be to the son (Glory be to the holy one)
Glory be to the holy one
The holder of creation whoi
As jah was in the beginning is now and forever shall be
Jah world
Jah world without end whoi
So we heed our god king sellassie I, jahova god, jah rastafari
Who is seated in zion and reigneth in the hearts of