Jeeva (1986 film)

Jeeva is a 1986 Bollywood action thriller film starring Sanjay Dutt and Mandakini. The film is directed by Raj N Sippy and produced by his brother Romu N Sippy under the production house Rupam Pictures. The film did well when released and was the twelfth highest grossing hindi film of that year the soundtrack of the film contains the ever popular Roz Roz Aankhon Tale.

Plot

The plot revolves around Jeevan Thakur's (Sanjay Dutt) fight against the local cunning money lender Lala (Pran) & his ally Inspector Dushant Singh (Anupam Kher) with revenge for killing his parents. Orphaned in his young age, Jeevan is raised in a gang of dacoits where he takes the name Jeeva. After the death of the leader of the gang, Jeeva gets in bitter terms with another contender for leadership, Lakhan (Shakti Kapoor).
The action thriller movie gets its romantic touch when Jeeva fall in love with Nalini (Mandakini).

Cast

Jeeva (2014 film)

Jeeva is a 2014 Indian Tamil sports drama film written and directed by Suseenthiran, who also produces the film along with cinematographer R. Madhi and art director Rajeevan under the banner of Vennila Kabadi Team. The film features Vishnu and Sri Divya in the lead cast, while Lakshman Narayan plays a supporting role. Its music was composed by D. Imman, cinematography was handled by R. Madhi and editing was by Anthony L. Ruben, while dialogue was written by Santhosh. The film opened to positive reviews from critics in September 2014.

Plot

This film is about an young aspiring Cricketer Jeeva, who dreams of playing for the India national cricket team one day. The films begins with Jeeva, sitting in a park bench and starts to narrate his life story. He is a lower middle class boy,who from the very young age is interested in cricket. He sees Sachin Tendulkar as his idol. Though his father initially does not support him, he later starts to do so on the request of his friend. Jeeva grows up and becomes a part of the school team. He excels in his game and turns out to be a star player. Seeing his performances, a local cricket club offers him a chance to join and train with them,for which his father disagrees saying that his academic performance is poor due to cricket and he may not get a job in future. In between Jeeva falls in love with his neighbour girl and they are broken up when their family comes to know about this. Jeeva starts to drink due to this heartbreak. So to make him concentrate on good deeds again, Jeeva's father agrees to let him join the cricket club.

Jeeva (Telugu actor)

Jeeva (Telugu: జీవ; born 30 November ) is an Indian film actor from Andhra Pradesh who is known for his bit parts in Hindi and Telugu cinema. He has been working in films since 1984 and is well known for his negative roles in various Ram Gopal Varma films, particularly Satya (Jagga), Ab Tak Chhappan (Commissioner Suchak) and Sarkar (Swami Virendra).

Filmography

Telugu

Jiiva

Jiiva, also written Jeeva, (born Amar on 4 January 1984) is an Indian film actor who predominantly appears in Tamil films. Son of film producer R. B. Choudry, he started his career as a child actor in his father's films in 1996.

He performed his first lead role in the 2003 romantic film Aasai Aasaiyai, before starring in Raam (2005), for which he won the Best Actor Award at the Cyprus International Film Festival. In his subsequent films, he has taken on roles of various types such as a stuntman in Dishyum (2006), a slum dweller in E (2006) and a psychopath in Kattradhu Thamizh (2007).

Career

Early career: 2003–2009

Jiiva first appeared as a child artist in minuscule roles in two of his father's productions. He made his feature film debut as an actor in 2003 with Aasai Aasaiyai, and Thithikudhe (2003). His subsequent release, Ameer's mystery thriller Raam (2005).Raam screened at the International Film Festival in Goa and later at the Cyprus International Film Festival, where he won the Best Actor award.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.