Jeet (1996 film)

Jeet (English: Victory) is a 1996 Indian action film directed by Raj Kanwar and produced by Sajid Nadiadwala. The film stars Sunny Deol, Salman Khan, Karisma Kapoor in lead roles and Amrish Puri, Dalip Tahil and Alok Nath in supporting roles, while Tabu appears in an extended special appearance. The movie was Superhit at the box office according to Box Office India.

Synopsis

Kajal (Karishma Kapoor) is the daughter of Prof. Sidhant Sharma (Alok Nath). Karan (Sunny Deol) is a criminal working for Gajraj Chaudhry (Amrish Puri) who falls in love with Kajal and follows her everywhere. Initially she dislikes him. But gradually they fall in love and Karan leaves the world of crime to return to a normal life. Rajeev aka Raju (Salman Khan) comes back from America and is to be married to Kajal. Kajal leaves Karan which breaks his heart and he starts visiting Tulsibai (Tabu), a tawaif (dancer/prostitute). Raju learns that his Dad (Dalip Tahil) and Uncle Gajraj are into illegal activities. He tries to destroy their business. So Karan is given the contract of killing Raju. Karan finds out that Raju is Kajal's husband. And what does he do? Does he decide to kill his lover's husband to unite with her?

Jeet (1949 film)

Jeet is a 1949 Hindi drama film directed by Mohan Sinha and produced by Pratap A. Rana.

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Jeet Gannguli

Jeet Gannguli (born Chandrajeet Ganguly, Bengali: চন্দ্রজিৎ গাঙ্গুলী), popularly known as Jeet, is a music composer and singer of Bengali and Hindi movies. Gannguli was initiated into the world of music at the age of three. He was a student of Baranagore Ramakrishna Mission Ashrama High School from where he completed his schooling. Later he graduated from the University of Calcutta. He is trained in Indian classical music under the guidance of his father Kali Ganguly and his pisima (father's sister) Shibani Roychowdhury. He studied western classical music, jazz and rock with jazz guitarist Karlton Kitto. Gannguli is a music director in Bollywood, scoring music for films.

Gannguli got his first break when Sanjay Gadhvi was signed on to direct Tere Liye and he, in turn, signed on his friends Jeet Gannguli and Pritam as music composers. In 2002 Yash Raj Films signed Gadhvi up to direct Mere Yaar Ki Shaadi Hai, for which the Gannguli-Pritam duo composed the music.

After the duo parted ways, Jeet has started scoring music for Hindi and Bengali films, TV serials and jingles. Jeet Gannguli is currently managed by Tarsame Mittal Talent Management. Jeet Ganguly has also composed music for a single track sung by well known singer Sonu Nigam,'aa bhi ja tu kahin se'.

Jeet (1972 film)

Jeet is a 1972 Hindi drama film directed and produced by Adurthi Subba Rao.

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Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.

List of film periodicals

Film periodicals combine discussion of individual films, genres and directors with in-depth considerations of the medium and the conditions of its production and reception. Their articles contrast with film reviewing in newspapers and magazines which principally serve as a consumer guide to movies.

Magazines and trade publications

Scholarly journals

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